Elizabeth Barrett Browning

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    Biographical information

    Sonnets from 'The Portuguese':

  1. Sonnet 01. I thought once how Theocritus had sung
  2. Sonnet 02. But only three in all God's universe
  3. Sonnet 03. Unlike are we, unlike, O princely Heart!
  4. Sonnet 04. Thou hast thy calling to some palace-floor
  5. Sonnet 05. I lift my heavy heart up solemnly
  6. Sonnet 06. Go from me. Yet I feel that I shall stand
  7. Sonnet 07. The face of all the world is changed, I think
  8. Sonnet 08. What can I give thee back, O liberal
  9. Sonnet 09. Can it be right to give what I can give?
  10. Sonnet 10. Yet, love, mere love, is beautiful indeed
  11. Sonnet 11. And therefore if to love can be desert
  12. Sonnet 12. Indeed this very love which is my boast
  13. Sonnet 13. And wilt thou have me fashion into speech
  14. Sonnet 14. If thou must love me, let it be for nought
  15. Sonnet 15. Accuse me not, beseech thee, that I wear
  16. Sonnet 16. And yet, because thou overcomest so
  17. Sonnet 17. My poet, thou canst touch on all the notes
  18. Sonnet 18. I never gave a lock of hair away
  19. Sonnet 19. The soul's Rialto hath its merchandise
  20. Sonnet 17. My poet, thou canst touch on all the notes
  21. Sonnet 20. Beloved, my Beloved, when I think
  22. Sonnet 21. Say over again, and yet once over again
  23. Sonnet 22. When our two souls stand up erect and strong
  24. Sonnet 23. Is it indeed so? If I lay here dead
  25. Sonnet 24. Let the world's sharpness, like a clasping knife
  26. Sonnet 25. A heavy heart, Beloved, have I borne
  27. Sonnet 26. I lived with visions for my company
  28. Sonnet 27. My own Beloved, who hast lifted me
  29. Sonnet 28. My letters! all dead paper, mute and white!
  30. Sonnet 29. I think of thee!—my thoughts do twine and bud
  31. Sonnet 30. I see thine image through my tears to-night
  32. Sonnet 31. Thou comest! all is said without a word
  33. Sonnet 32. The first time that the sun rose on thine oath
  34. Sonnet 33. Yes, call me by my pet-name! let me hear
  35. Sonnet 34. With the same heart, I said, I'll answer thee
  36. Sonnet 35. If I leave all for thee, wilt thou exchange
  37. Sonnet 36. When we met first and loved, I did not build
  38. Sonnet 37. Pardon, oh, pardon, that my soul should make
  39. Sonnet 38. First time he kissed me, he but only kissed
  40. Sonnet 39. Because thou hast the power and own'st the grace
  41. Sonnet 40. Oh, yes! they love through all this world of ours!
  42. Sonnet 41. I thank all who have loved me in their hearts
  43. Sonnet 42. 'My future will not copy fair my past'
  44. Sonnet 43. How do I love thee? Let me count the ways
  45. Sonnet 44. Beloved, thou hast brought me many flowers

    Other poems:

  46. A Child Asleep
  47. A Curse For A Nation
  48. A Dead Rose
  49. A Man's Requirements
  50. A Musical Instrument
  51. A Sea-Side Walk
  52. A Thought For A Lonely Death-Bed
  53. A Woman's Shortcomings
  54. A Year's Spinning
  55. Aurora Leigh (Excerpts)
  56. Bianca Among The Nightingales
  57. Change Upon Change
  58. Cheerfulness Taught By Reason
  59. Comfort
  60. Consolation
  61. De Profundis
  62. Discontent
  63. Exaggeration
  64. Grief
  65. Human Life’s Mystery
  66. I
  67. Insufficiency
  68. Lord Walter's Wife
  69. Mother And Poet
  70. My Heart And I
  71. On A Portrait Of Wordsworth
  72. Only a Curl
  73. Pain In Pleasure
  74. Past And Future
  75. Patience Taught By Nature
  76. Tears
  77. The Autumn
  78. The Best Thing In The World
  79. The Cry Of The Children
  80. The Deserted Garden
  81. The House Of Clouds
  82. The Lady's Yes
  83. The Landing Of The Pilgrim Fathers
  84. The Look
  85. The Meaning Of The Look
  86. The Poet And The Bird
  87. The Prisoner
  88. The Runaway Slave At Pilgrim's Point
  89. The Seraph and the Poet
  90. The Soul's Expression
  91. The Weakest Thing
  92. To Flush, My Dog
  93. To George Sand: A Desire
  94. To George Sand: A Recognition
  95. Unlike We Are, Unlike, oh Princely Heart
  96. Work And Contemplation



    Biographical information

      Name: Elizabeth Barrett Browning
      Place and date of birth: Kelloe, Durham (England); March 6, 1806
      Place and date of death: Florence (Italy); June 29, 1861 (aged 55)

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      Sonnet 01. I thought once how Theocritus had sung

        I thought once how Theocritus had sung
        Of the sweet years, the dear and wished-for years,
        Who each one in a gracious hand appears
        To bear a gift for mortals, old or young:
        And, as I mused it in his antique tongue,
        I saw, in gradual vision through my tears,
        The sweet, sad years, the melancholy years,
        Those of my own life, who by turns had flung
        A shadow across me. Straightway I was 'ware,
        So weeping, how a mystic Shape did move
        Behind me, and drew me backward by the hair:
        And a voice said in mastery, while I strove,—
        'Guess now who holds thee? '—' Death,' I said. But, there,
        The silver answer rang,—' Not Death, but Love.'

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      Sonnet 02. But only three in all God's universe

        But only three in all God's universe
        Have heard this word thou hast said,—Himself, beside
        Thee speaking, and me listening! and replied
        One of us . . . that was God, . . . and laid the curse
        So darkly on my eyelids, as to amerce
        My sight from seeing thee,—that if I had died,
        The deathweights, placed there, would have signified
        Less absolute exclusion. 'Nay' is worse
        From God than from all others, O my friend!
        Men could not part us with their worldly jars,
        Nor the seas change us, nor the tempests bend;
        Our hands would touch for all the mountain-bars:
        And, heaven being rolled between us at the end,
        We should but vow the faster for the stars.

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      Sonnet 03. Unlike are we, unlike, O princely Heart!

        Unlike are we, unlike, O princely Heart!
        Unlike our uses and our destinies.
        Our ministering two angels look surprise
        On one another, as they strike athwart
        Their wings in passing. Thou, bethink thee, art
        A guest for queens to social pageantries,
        With gages from a hundred brighter eyes
        Than tears even can make mine, to play thy part
        Of chief musician. What hast thou to do
        With looking from the lattice-lights at me,
        A poor, tired, wandering singer, singing through
        The dark, and leaning up a cypress tree?
        The chrism is on thine head,—on mine, the dew,—
        And Death must dig the level where these agree.

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      Sonnet 04. Thou hast thy calling to some palace-floor

        Thou hast thy calling to some palace-floor,
        Most gracious singer of high poems! where
        The dancers will break footing, from the care
        Of watching up thy pregnant lips for more.
        And dost thou lift this house's latch too poor
        For hand of thine? and canst thou think and bear
        To let thy music drop here unaware
        In folds of golden fulness at my door?
        Look up and see the casement broken in,
        The bats and owlets builders in the roof!
        My cricket chirps against thy mandolin.
        Hush, call no echo up in further proof
        Of desolation! there 's a voice within
        That weeps... as thou must sing... alone, aloof

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      Sonnet 05. I lift my heavy heart up solemnly

        I lift my heavy heart up solemnly,
        As once Electra her sepulchral urn,
        And, looking in thine eyes, I overturn
        The ashes at thy feet. Behold and see
        What a great heap of grief lay hid in me,
        And how the red wild sparkles dimly burn
        Through the ashen grayness. If thy foot in scorn
        Could tread them out to darkness utterly,
        It might be well perhaps. But if instead
        Thou wait beside me for the wind to blow
        The gray dust up, . . . those laurels on thine head,
        O my Beloved, will not shield thee so,
        That none of all the fires shall scorch and shred
        The hair beneath. Stand farther off then! go.

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      Sonnet 06. Go from me. Yet I feel that I shall stand

        Go from me. Yet I feel that I shall stand
        Henceforward in thy shadow. Nevermore
        Alone upon the threshold of my door
        Of individual life, I shall command
        The uses of my soul, nor lift my hand
        Serenely in the sunshine as before,
        Without the sense of that which I forbore—
        Thy touch upon the palm. The widest land
        Doom takes to part us, leaves thy heart in mine
        With pulses that beat double. What I do
        And what I dream include thee, as the wine
        Must taste of its own grapes. And when I sue
        God for myself, He hears that name of thine,
        And sees within my eyes the tears of two.

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      Sonnet 07. The face of all the world is changed, I think

        The face of all the world is changed, I think,
        Since first I heard the footsteps of thy soul
        Move still, oh, still, beside me, as they stole
        Betwixt me and the dreadful outer brink
        Of obvious death, where I, who thought to sink,
        Was caught up into love, and taught the whole
        Of life in a new rhythm. The cup of dole
        God gave for baptism, I am fain to drink,
        And praise its sweetness, Sweet, with thee anear.
        The names of country, heaven, are changed away
        For where thou art or shalt be, there or here;
        And this . . . this lute and song . . . loved yesterday,
        (The singing angels know) are only dear
        Because thy name moves right in what they say.

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      Sonnet 08. What can I give thee back, O liberal

        What can I give thee back, O liberal
        And princely giver, who hast brought the gold
        And purple of thine heart, unstained, untold,
        And laid them on the outside of the-wall
        For such as I to take or leave withal,
        In unexpected largesse? am I cold,
        Ungrateful, that for these most manifold
        High gifts, I render nothing back at all?
        Not so; not cold,—but very poor instead.
        Ask God who knows. For frequent tears have run
        The colors from my life, and left so dead
        And pale a stuff, it were not fitly done
        To give the same as pillow to thy head.
        Go farther! let it serve to trample on.

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      Sonnet 09. Can it be right to give what I can give?

        Can it be right to give what I can give?
        To let thee sit beneath the fall of tears
        As salt as mine, and hear the sighing years
        Re-sighing on my lips renunciative
        Through those infrequent smiles which fail to live
        For all thy adjurations? O my fears,
        That this can scarce be right! We are not peers,
        So to be lovers; and I own, and grieve,
        That givers of such gifts as mine are, must
        Be counted with the ungenerous. Out, alas!
        I will not soil thy purple with my dust,
        Nor breathe my poison on thy Venice-glass,
        Nor give thee any love—which were unjust.
        Beloved, I only love thee! let it pass.

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      Sonnet 10. Yet, love, mere love, is beautiful indeed

        Yet, love, mere love, is beautiful indeed
        And worthy of acceptation. Fire is bright,
        Let temple burn, or flax; an equal light
        Leaps in the flame from cedar-plank or weed:
        And love is fire. And when I say at need
        I love thee . . . mark! . . . I love thee—in thy sight
        I stand transfigured, glorified aright,
        With conscience of the new rays that proceed
        Out of my face toward thine. There's nothing low
        In love, when love the lowest: meanest creatures
        Who love God, God accepts while loving so.
        And what I feel, across the inferior features
        Of what I am, doth flash itself, and show
        How that great work of Love enhances Nature's.

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      Sonnet 11. And therefore if to love can be desert

        And therefore if to love can be desert,
        I am not all unworthy. Cheeks as pale
        As these you see, and trembling knees that fail
        To bear the burden of a heavy heart,—
        This weary minstrel-life that once was girt
        To climb Aornus, and can scarce avail
        To pipe now 'gainst the valley nightingale
        A melancholy music,—why advert
        To these things? O Beloved, it is plain
        I am not of thy worth nor for thy place!
        And yet, because I love thee, I obtain
        From that same love this vindicating grace,
        To live on still in love, and yet in vain,—
        To bless thee, yet renounce thee to thy face.

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      Sonnet 12. Indeed this very love which is my boast

        Indeed this very love which is my boast,
        And which, when rising up from breast to brow,
        Doth crown me with a ruby large enow
        To draw men's eyes and prove the inner cost,—
        This love even, all my worth, to the uttermost,
        I should not love withal, unless that thou
        Hadst set me an example, shown me how,
        When first thine earnest eyes with mine were crossed,
        And love called love. And thus, I cannot speak
        Of love even, as a good thing of my own:
        Thy soul hath snatched up mine all faint and weak,
        And placed it by thee on a golden throne,—
        And that I love (O soul, we must be meek!)
        Is by thee only, whom I love alone.

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      Sonnet 13. And wilt thou have me fashion into speech

        And wilt thou have me fashion into speech
        The love I bear thee, finding words enough,
        And hold the torch out, while the winds are rough,
        Between our faces, to cast light on each?—
        I drop it at thy feet. I cannot teach
        My hand to hold my spirit so far off
        From myself—me—that I should bring thee proof
        In words, of love hid in me out of reach.
        Nay, let the silence of my womanhood
        Commend my woman-love to thy belief,—
        Seeing that I stand unwon, however wooed,
        And rend the garment of my life, in brief,
        By a most dauntless, voiceless fortitude,
        Lest one touch of this heart convey its grief

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      Sonnet 14. If thou must love me, let it be for nought

        If thou must love me, let it be for nought
        Except for love's sake only. Do not say
        'I love her for her smile—her look—her way
        Of speaking gently,—for a trick of thought
        That falls in well with mine, and certes brought
        A sense of pleasant ease on such a day'—
        For these things in themselves, Beloved, may
        Be changed, or change for thee,—and love, so wrought,
        May be unwrought so. Neither love me for
        Thine own dear pity's wiping my cheeks dry,—
        A creature might forget to weep, who bore
        Thy comfort long, and lose thy love thereby!
        But love me for love's sake, that evermore
        Thou mayst love on, through love's eternity.

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      Sonnet 15. Accuse me not, beseech thee, that I wear

        Accuse me not, beseech thee, that I wear
        Too calm and sad a face in front of thine;
        For we two look two ways, and cannot shine
        With the same sunlight on our brow and hair.
        On me thou lookest with no doubting care,
        As on a bee shut in a crystalline;
        Since sorrow hath shut me safe in love's divine,
        And to spread wing and fly in the outer air
        Were most impossible failure, if I strove
        To fail so. But I look on thee—on thee—
        Beholding, besides love, the end of love,
        Hearing oblivion beyond memory;
        As one who sits and gazes from above,
        Over the rivers to the bitter sea.

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      Sonnet 16. And yet, because thou overcomest so

        And yet, because thou overcomest so,
        Because thou art more noble and like a king,
        Thou canst prevail against my fears and fling
        Thy purple round me, till my heart shall grow
        Too close against thine heart henceforth to know
        How it shook when alone. Why, conquering
        May prove as lordly and complete a thing
        In lifting upward, as in crushing low!
        And as a vanquished soldier yields his sword
        To one who lifts him from the bloody earth,
        Even so, Beloved, I at last record,
        Here ends my strife. If thou invite me forth,
        I rise above abasement at the word.
        Make thy love larger to enlarge my worth.

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      Sonnet 17. My poet, thou canst touch on all the notes

        My poet, thou canst touch on all the notes
        God set between his After and Before,
        And strike up and strike off the general roar
        Of the rushing worlds a melody that floats
        In a serene air purely. Antidotes
        Of medicated music, answering for
        Mankind's forlornest uses, thou canst pour
        From thence into their ears. God's will devotes
        Thine to such ends, and mine to wait on thine.
        How, Dearest, wilt thou have me for most use?
        A hope, to sing by gladly? or a fine
        Sad memory, with thy songs to interfuse?
        A shade, in which to sing—of palm or pine?
        A grave, on which to rest from singing? Choose.

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      Sonnet 18. I never gave a lock of hair away

        I never gave a lock of hair away
        To a man, Dearest, except this to thee,
        Which now upon my fingers thoughtfully,
        I ring out to the full brown length and say
        'Take it.' My day of youth went yesterday;
        My hair no longer bounds to my foot's glee,
        Nor plant I it from rose or myrtle-tree,
        As girls do, any more: it only may
        Now shade on two pale cheeks the mark of tears,
        Taught drooping from the head that hangs aside
        Through sorrow's trick. I thought the funeral-shears
        Would take this first, but Love is justified,—
        Take it thou,—finding pure, from all those years,
        The kiss my mother left here when she died.

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      Sonnet 19. The soul's Rialto hath its merchandise

        The soul's Rialto hath its merchandise;
        I barter curl for curl upon that mart,
        And from my poet's forehead to my heart
        Receive this lock which outweighs argosies,—
        As purply black, as erst to Pindar's eyes
        The dim purpureal tresses gloomed athwart
        The nine white Muse-brows. For this counterpart...
        The bay-crown's shade, Beloved, I surmise,
        Still lingers on thy curl, it is so black!
        Thus, with a fillet of smooth-kissing breath,
        I tie the shadows safe from gliding back,
        And lay the gift where nothing hindereth;
        Here on my heart, as on thy brow, to lack
        No natural heat till mine grows cold in death.

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      Sonnet 20. Beloved, my Beloved, when I think

        Beloved, my Beloved, when I think
        That thou wast in the world a year ago,
        What time I sat alone here in the snow
        And saw no footprint, heard the silence sink
        No moment at thy voice, but, link by link,
        Went counting all my chains as if that so
        They never could fall off at any blow
        Struck by thy possible hand,—why, thus I drink
        Of life's great cup of wonder ! Wonderful,
        Never to feel thee thrill the day or night
        With personal act or speech,—nor ever cull
        Some prescience of thee with the blossoms white
        Thou sawest growing! Atheists are as dull,
        Who cannot guess God's presence out of sight.

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      Sonnet 21. Say over again, and yet once over again

        Say over again, and yet once over again,
        That thou dost love me. Though the word repeated
        Should seem 'a cuckoo-song,' as thou dost treat it,
        Remember, never to the hill or plain,
        Valley and wood, without her cuckoo-strain
        Comes the fresh Spring in all her green completed.
        Beloved, I, amid the darkness greeted
        By a doubtful spirit-voice, in that doubt's pain
        Cry, 'Speak once more—thou lovest! 'Who can fear
        Too many stars, though each in heaven shall roll,
        Too many flowers, though each shall crown the year?
        Say thou dost love me, love me, love me—toll
        The silver iterance!—only minding, Dear,
        To love me also in silence with thy soul.

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      Sonnet 22. When our two souls stand up erect and strong

        When our two souls stand up erect and strong,
        Face to face, silent, drawing nigh and nigher,
        Until the lengthening wings break into fire
        At either curved point,—what bitter wrong
        Can the earth do to us, that we should not long
        Be here contented? Think. In mounting higher,
        The angels would press on us and aspire
        To drop some golden orb of perfect song
        Into our deep, dear silence. Let us stay
        Rather on earth, Beloved,—where the unfit
        Contrarious moods of men recoil away
        And isolate pure spirits, and permit
        A place to stand and love in for a day,
        With darkness and the death-hour rounding it.

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      Sonnet 23. Is it indeed so? If I lay here dead

        Is it indeed so? If I lay here dead,
        Wouldst thou miss any life in losing mine?
        And would the sun for thee more coldly shine
        Because of grave-damps falling round my head?
        I marvelled, my Beloved, when I read
        Thy thought so in the letter. I am thine—
        But . . . so much to thee? Can I pour thy wine
        While my hands tremble ? Then my soul, instead
        Of dreams of death, resumes life's lower range.
        Then, love me, Love! look on me—breathe on me!
        As brighter ladies do not count it strange,
        For love, to give up acres and degree,
        I yield the grave for thy sake, and exchange
        My near sweet view of Heaven, for earth with thee!

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      Sonnet 24. Let the world's sharpness, like a clasping knife

        Let the world's sharpness, like a clasping knife,
        Shut in upon itself and do no harm
        In this close hand of Love, now soft and warm,
        And let us hear no sound of human strife
        After the click of the shutting. Life to life—
        I lean upon thee, Dear, without alarm,
        And feel as safe as guarded by a charm
        Against the stab of worldlings, who if rife
        Are weak to injure. Very whitely still
        The lilies of our lives may reassure
        Their blossoms from their roots, accessible
        Alone to heavenly dews that drop not fewer,
        Growing straight, out of man's reach, on the hill.
        God only, who made us rich, can make us poor.

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      Sonnet 25. A heavy heart, Beloved, have I borne

        A heavy heart, Beloved, have I borne
        From year to year until I saw thy face,
        And sorrow after sorrow took the place
        Of all those natural joys as lightly worn
        As the stringed pearls, each lifted in its turn
        By a beating heart at dance-time. Hopes apace
        Were changed to long despairs, till God's own grace
        Could scarcely lift above the world forlorn
        My heavy heart. Then thou didst bid me bring
        And let it drop adown thy calmly great
        Deep being! Fast it sinketh, as a thing
        Which its own nature doth precipitate,
        While thine doth close above it, mediating
        Betwixt the stars and the unaccomplished fate

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      Sonnet 26. I lived with visions for my company

        I lived with visions for my company
        Instead of men and women, years ago,
        And found them gentle mates, nor thought to know
        A sweeter music than they played to me.
        But soon their trailing purple was not free
        Of this world's dust, their lutes did silent grow,
        And I myself grew faint and blind below
        Their vanishing eyes. Then THOU didst come—to be,
        Beloved, what they seemed. Their shining fronts,
        Their songs, their splendors (better, yet the same,
        As river-water hallowed into fonts),
        Met in thee, and from out thee overcame
        My soul with satisfaction of all wants:
        Because God's gifts put man's best dreams to shame.

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      Sonnet 27. My own Beloved, who hast lifted me

        My own Beloved, who hast lifted me
        From this drear flat of earth where I was thrown,
        And, in betwixt the languid ringlets, blown
        A life-breath, till the forehead hopefully
        Shines out again, as all the angels see,
        Before thy saving kiss! My own, my own,
        Who camest to me when the world was gone,
        And I who looked for only God, found thee!
        I find thee; I am safe, and strong, and glad.
        As one who stands in dewless asphodel
        Looks backward on the tedious time he had
        In the upper life,—so I, with bosom-swell,
        Make witness, here, between the good and bad,
        That Love, as strong as Death, retrieves as well.

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      Sonnet 28. My letters! all dead paper, mute and white!

        My letters! all dead paper, mute and white!
        And yet they seem alive and quivering
        Against my tremulous hands which loose the string
        And let them drop down on my knee to-night.
        This said,—he wished to have me in his sight
        Once, as a friend: this fixed a day in spring
        To come and touch my hand . . . a simple thing,
        Yet I wept for it!—this, . . . the paper's light . . .
        Said, Dear, I love thee; and I sank and quailed
        As if God's future thundered on my past.
        This said, I am thine—and so its ink has paled
        With Iying at my heart that beat too fast.
        And this . . . O Love, thy words have ill availed
        If, what this said, I dared repeat at last!

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      Sonnet 29. I think of thee!—my thoughts do twine and bud

        I think of thee!—my thoughts do twine and bud
        About thee, as wild vines, about a tree,
        Put out broad leaves, and soon there 's nought to see
        Except the straggling green which hides the wood.
        Yet, O my palm-tree, be it understood
        I will not have my thoughts instead of thee
        Who art dearer, better! Rather, instantly
        Renew thy presence; as a strong tree should,
        Rustle thy boughs and set thy trunk all bare,
        And let these bands of greenery which insphere thee
        Drop heavily down,—burst, shattered, everywhere!
        Because, in this deep joy to see and hear thee
        And breathe within thy shadow a new air,
        I do not think of thee—I am too near thee.

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      Sonnet 30. I see thine image through my tears to-night

        I see thine image through my tears to-night,
        And yet to-day I saw thee smiling. How
        Refer the cause?—Beloved, is it thou
        Or I, who makes me sad? The acolyte
        Amid the chanted joy and thankful rite
        May so fall flat, with pale insensate brow,
        On the altar-stair. I hear thy voice and vow,
        Perplexed, uncertain, since thou art out of sight,
        As he, in his swooning ears, the choir's Amen.
        Beloved, dost thou love? or did I see all
        The glory as I dreamed, and fainted when
        Too vehement light dilated my ideal,
        For my soul's eyes? Will that light come again,
        As now these tears come—falling hot and real?

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      Sonnet 31. Thou comest! all is said without a word

        Thou comest! all is said without a word.
        I sit beneath thy looks, as children do
        In the noon-sun, with souls that tremble through
        Their happy eyelids from an unaverred
        Yet prodigal inward joy. Behold, I erred
        In that last doubt! and yet I cannot rue
        The sin most, but the occasion—that we two
        Should for a moment stand unministered
        By a mutual presence. Ah, keep near and close,
        Thou dovelike help! and, when my fears would rise,
        With thy broad heart serenely interpose:
        Brood down with thy divine sufficiencies
        These thoughts which tremble when bereft of those,
        Like callow birds left desert to the skies.

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      Sonnet 32. The first time that the sun rose on thine oath

        The first time that the sun rose on thine oath
        To love me, I looked forward to the moon
        To slacken all those bonds which seemed too soon
        And quickly tied to make a lasting troth.
        Quick-loving hearts, I thought, may quickly loathe;
        And, looking on myself, I seemed not one
        For such man's love!—more like an out-of-tune
        Worn viol, a good singer would be wroth
        To spoil his song with, and which, snatched in haste,
        Is laid down at the first ill-sounding note.
        I did not wrong myself so, but I placed
        A wrong on thee. For perfect strains may float
        'Neath master-hands, from instruments defaced,—
        And great souls, at one stroke, may do and doat.

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      Sonnet 33. Yes, call me by my pet-name! let me hear

        Yes, call me by my pet-name! let me hear
        The name I used to run at, when a child,
        From innocent play, and leave the cowslips piled,
        To glance up in some face that proved me dear
        With the look of its eyes. I miss the clear
        Fond voices which, being drawn and reconciled
        Into the music of Heaven's undefiled,
        Call me no longer. Silence on the bier,
        While I call God—call God!—So let thy mouth
        Be heir to those who are now exanimate.
        Gather the north flowers to complete the south,
        And catch the early love up in the late.
        Yes, call me by that name,—and I, in truth,
        With the same heart, will answer and not wait.

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      Sonnet 34. With the same heart, I said, I'll answer thee

        With the same heart, I said, I'll answer thee
        As those, when thou shalt call me by my name—
        Lo, the vain promise! is the same, the same,
        Perplexed and ruffled by life's strategy?
        When called before, I told how hastily
        I dropped my flowers or brake off from a game,
        To run and answer with the smile that came
        At play last moment, and went on with me
        Through my obedience. When I answer now,
        I drop a grave thought, break from solitude;
        Yet still my heart goes to thee—ponder how—
        Not as to a single good, but all my good!
        Lay thy hand on it, best one, and allow
        That no child's foot could run fast as this blood.

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      Sonnet 35. If I leave all for thee, wilt thou exchange

        If I leave all for thee, wilt thou exchange
        And be all to me? Shall I never miss
        Home-talk and blessing and the common kiss
        That comes to each in turn, nor count it strange,
        When I look up, to drop on a new range
        Of walls and floors, another home than this?
        Nay, wilt thou fill that place by me which is
        Filled by dead eyes too tender to know change?
        That 's hardest. If to conquer love, has tried,
        To conquer grief, tries more, as all things prove;
        For grief indeed is love and grief beside.
        Alas, I have grieved sol am hard to love.
        Yet love me—wilt thou? Open thine heart wide,
        And fold within the wet wings of thy dove.

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      Sonnet 36. When we met first and loved, I did not build

        When we met first and loved, I did not build
        Upon the event with marble. Could it mean
        To last, a love set pendulous between
        Sorrow and sorrow? Nay, I rather thrilled,
        Distrusting every light that seemed to gild
        The onward path, and feared to overlean
        A finger even. And, though I have grown serene
        And strong since then, I think that God has willed
        A still renewable fear . . . O love, O troth . . .
        Lest these enclasped hands should never hold,
        This mutual kiss drop down between us both
        As an unowned thing, once the lips being cold.
        And Love, be false! if he, to keep one oath,
        Must lose one joy, by his life's star foretold.

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      Sonnet 37. Pardon, oh, pardon, that my soul should make

        Pardon, oh, pardon, that my soul should make,
        Of all that strong divineness which I know
        For thine and thee, an image only so
        Formed of the sand, and fit to shift and break.
        It is that distant years which did not take
        Thy sovranty, recoiling with a blow,
        Have forced my swimming brain to undergo
        Their doubt and dread, and blindly to forsake
        Thy purity of likeness and distort
        Thy worthiest love to a worthless counterfeit:
        As if a shipwrecked Pagan, safe in port,
        His guardian sea-god to commemorate,
        Should set a sculptured porpoise, gills a-snort
        And vibrant tail, within the temple-gate.

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      Sonnet 38. First time he kissed me, he but only kissed

        First time he kissed me, he but only kissed
        The fingers of this hand wherewith I write;
        And ever since, it grew more clean and white,
        Slow to world-greetings, quick with its 'Oh, list,'
        When the angels speak. A ring of amethyst
        I could not wear here, plainer to my sight,
        Than that first kiss. The second passed in height
        The first, and sought the forehead, and half missed,
        Half falling on the hair. O beyond meed!
        That was the chrism of love, which love's own crown,
        With sanctifying sweetness, did precede.
        The third upon my lips was folded down
        In perfect, purple state; since when, indeed,
        I have been proud and said, 'My love, my own.'

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      Sonnet 39. Because thou hast the power and own'st the grace

        Because thou hast the power and own'st the grace
        To look through and behind this mask of me
        (Against which years have beat thus blanchingly
        With their rains), and behold my soul's true face,
        The dim and weary witness of life's race,—
        Because thou hast the faith and love to see,
        Through that same soul's distracting lethargy,
        The patient angel waiting for a place
        In the new Heavens,—because nor sin nor woe,
        Nor God's infliction, nor death's neighborhood,
        Nor all which others viewing, turn to go,
        Nor all which makes me tired of all, self-viewed,—
        Nothing repels thee, . . . Dearest, teach me so
        To pour out gratitude, as thou dost, good!

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      Sonnet 40. Oh, yes! they love through all this world of ours!

        Oh, yes! they love through all this world of ours!
        I will not gainsay love, called love forsooth.
        I have heard love talked in my early youth,
        And since, not so long back but that the flowers
        Then gathered, smell still. Mussulmans and Giaours
        Throw kerchiefs at a smile, and have no ruth
        For any weeping. Polypheme's white tooth
        Slips on the nut if, after frequent showers,
        The shell is over-smooth,—and not so much
        Will turn the thing called love, aside to hate
        Or else to oblivion. But thou art not such
        A lover, my Beloved! thou canst wait
        Through sorrow and sickness, to bring souls to touch,
        And think it soon when others cry 'Too late.'

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      Sonnet 41. I thank all who have loved me in their hearts

        I thank all who have loved me in their hearts,
        With thanks and love from mine. Deep thanks to all
        Who paused a little near the prison-wall
        To hear my music in its louder parts
        Ere they went onward, each one to the mart's
        Or temple's occupation, beyond call.
        But thou, who, in my voice's sink and fall
        When the sob took it, thy divinest Art's
        Own instrument didst drop down at thy foot
        To hearken what I said between my tears, . . .
        Instruct me how to thank thee! Oh, to shoot
        My soul's full meaning into future years,
        That they should lend it utterance, and salute
        Love that endures, from Life that disappears!

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      Sonnet 42. 'My future will not copy fair my past'

        'My future will not copy fair my past'—
        I wrote that once; and thinking at my side
        My ministering life-angel justified
        The word by his appealing look upcast
        To the white throne of God, I turned at last,
        And there, instead, saw thee, not unallied
        To angels in thy soul! Then I, long tried
        By natural ills, received the comfort fast,
        While budding, at thy sight, my pilgrim's staff
        Gave out green leaves with morning dews impearled.
        I seek no copy now of life's first half:
        Leave here the pages with long musing curled,
        And write me new my future's epigraph,
        New angel mine, unhoped for in the world!

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      Sonnet 43. How do I love thee? Let me count the ways

        How do I love thee? Let me count the ways.
        I love thee to the depth and breadth and height
        My soul can reach, when feeling out of sight
        For the ends of Being and ideal Grace.
        I love thee to the level of everyday's
        Most quiet need, by sun and candle-light.
        I love thee freely, as men strive for Right;
        I love thee purely, as they turn from Praise.
        I love thee with the passion put to use
        In my old griefs, and with my childhood's faith.
        I love thee with a love I seemed to lose
        With my lost saints,—I love thee with the breath,
        Smiles, tears, of all my life!—and, if God choose,
        I shall but love thee better after death.

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      Sonnet 44. Beloved, thou hast brought me many flowers

        Beloved, thou hast brought me many flowers
        Plucked in the garden, all the summer through
        And winter, and it seemed as if they grew
        In this close room, nor missed the sun and showers.
        So, in the like name of that love of ours,
        Take back these thoughts which here unfolded too,
        And which on warm and cold days I withdrew
        From my heart's ground. Indeed, those beds and bowers
        Be overgrown with bitter weeds and rue,
        And wait thy weeding; yet here's eglantine,
        Here 's ivy!—take them, as I used to do
        Thy fowers, and keep them where they shall not pine.
        Instruct thine eyes to keep their colors true,
        And tell thy soul their roots are left in mine.

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      A Child Asleep

        How he sleepeth! having drunken
        Weary childhood's mandragore,
        From his pretty eyes have sunken
        Pleasures, to make room for more---
        Sleeping near the withered nosegay, which he pulled the day before.

        Nosegays! leave them for the waking:
        Throw them earthward where they grew.
        Dim are such, beside the breaking
        Amaranths he looks unto---
        Folded eyes see brighter colours than the open ever do.

        Heaven-flowers, rayed by shadows golden
        From the paths they sprang beneath,
        Now perhaps divinely holden,
        Swing against him in a wreath---
        We may think so from the quickening of his bloom and of his breath.

        Vision unto vision calleth,
        While the young child dreameth on.
        Fair, O dreamer, thee befalleth
        With the glory thou hast won!
        Darker wert thou in the garden, yestermorn, by summer sun.

        We should see the spirits ringing
        Round thee,---were the clouds away.
        'Tis the child-heart draws them, singing
        In the silent-seeming clay---
        Singing!---Stars that seem the mutest, go in music all the way.

        As the moths around a taper,
        As the bees around a rose,
        As the gnats around a vapour,---
        So the Spirits group and close
        Round about a holy childhood, as if drinking its repose.

        Shapes of brightness overlean thee,---
        Flash their diadems of youth
        On the ringlets which half screen thee,---
        While thou smilest, . . . not in sooth
        Thy smile . . . but the overfair one, dropt from some aethereal mouth.

        Haply it is angels' duty,
        During slumber, shade by shade:
        To fine down this childish beauty
        To the thing it must be made,
        Ere the world shall bring it praises, or the tomb shall see it fade.

        Softly, softly! make no noises!
        Now he lieth dead and dumb---
        Now he hears the angels' voices
        Folding silence in the room---
        Now he muses deep the meaning of the Heaven-words as they come.

        Speak not! he is consecrated---
        Breathe no breath across his eyes.
        Lifted up and separated,
        On the hand of God he lies,
        In a sweetness beyond touching---held in cloistral sanctities.

        Could ye bless him---father---mother ?
        Bless the dimple in his cheek?
        Dare ye look at one another,
        And the benediction speak?
        Would ye not break out in weeping, and confess yourselves too weak?

        He is harmless---ye are sinful,---
        Ye are troubled---he, at ease:
        From his slumber, virtue winful
        Floweth outward with increase---
        Dare not bless him! but be blessed by his peace---and go in peace.

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      A Curse For A Nation

        I heard an angel speak last night,
        And he said 'Write!
        Write a Nation's curse for me,
        And send it over the Western Sea.'

        I faltered, taking up the word:
        'Not so, my lord!
        If curses must be, choose another
        To send thy curse against my brother.

        'For I am bound by gratitude,
        By love and blood,
        To brothers of mine across the sea,
        Who stretch out kindly hands to me.'

        'Therefore,' the voice said, 'shalt thou write
        My curse to-night.
        From the summits of love a curse is driven,
        As lightning is from the tops of heaven.'

        'Not so,' I answered. 'Evermore
        My heart is sore
        For my own land's sins: for little feet
        Of children bleeding along the street:

        'For parked-up honors that gainsay
        The right of way:
        For almsgiving through a door that is
        Not open enough for two friends to kiss:

        'For love of freedom which abates
        Beyond the Straits:
        For patriot virtue starved to vice on
        Self-praise, self-interest, and suspicion:

        'For an oligarchic parliament,
        And bribes well-meant.
        What curse to another land assign,
        When heavy-souled for the sins of mine?'

        'Therefore,' the voice said, 'shalt thou write
        My curse to-night.
        Because thou hast strength to see and hate
        A foul thing done within thy gate.'

        'Not so,' I answered once again.
        'To curse, choose men.
        For I, a woman, have only known
        How the heart melts and the tears run down.'

        'Therefore,' the voice said, 'shalt thou write
        My curse to-night.
        Some women weep and curse, I say
        (And no one marvels), night and day.

        'And thou shalt take their part to-night,
        Weep and write.
        A curse from the depths of womanhood
        Is very salt, and bitter, and good.'

        So thus I wrote, and mourned indeed,
        What all may read.
        And thus, as was enjoined on me,
        I send it over the Western Sea.

        The Curse

        Because ye have broken your own chain
        With the strain
        Of brave men climbing a Nation's height,
        Yet thence bear down with brand and thong
        On souls of others, -- for this wrong
        This is the curse. Write.

        Because yourselves are standing straight
        In the state
        Of Freedom's foremost acolyte,
        Yet keep calm footing all the time
        On writhing bond-slaves, -- for this crime
        This is the curse. Write.

        Because ye prosper in God's name,
        With a claim
        To honor in the old world's sight,
        Yet do the fiend's work perfectly
        In strangling martyrs, -- for this lie
        This is the curse. Write.

        Ye shall watch while kings conspire
        Round the people's smouldering fire,
        And, warm for your part,
        Shall never dare -- O shame!
        To utter the thought into flame
        Which burns at your heart.
        This is the curse. Write.

        Ye shall watch while nations strive
        With the bloodhounds, die or survive,
        Drop faint from their jaws,
        Or throttle them backward to death;
        And only under your breath
        Shall favor the cause.
        This is the curse. Write.

        Ye shall watch while strong men draw
        The nets of feudal law
        To strangle the weak;
        And, counting the sin for a sin,
        Your soul shall be sadder within
        Than the word ye shall speak.
        This is the curse. Write.

        When good men are praying erect
        That Christ may avenge His elect
        And deliver the earth,
        The prayer in your ears, said low,
        Shall sound like the tramp of a foe
        That's driving you forth.
        This is the curse. Write.

        When wise men give you their praise,
        They shall praise in the heat of the phrase,
        As if carried too far.
        When ye boast your own charters kept true,
        Ye shall blush; for the thing which ye do
        Derides what ye are.
        This is the curse. Write.

        When fools cast taunts at your gate,
        Your scorn ye shall somewhat abate
        As ye look o'er the wall;
        For your conscience, tradition, and name
        Explode with a deadlier blame
        Than the worst of them all.
        This is the curse. Write.

        Go, wherever ill deeds shall be done,
        Go, plant your flag in the sun
        Beside the ill-doers!
        And recoil from clenching the curse
        Of God's witnessing Universe
        With a curse of yours.
        This is the curse. Write.

      Up

      A Dead Rose

        O Rose! who dares to name thee?
        No longer roseate now, nor soft, nor sweet;
        But pale, and hard, and dry, as stubble-wheat,---
        Kept seven years in a drawer---thy titles shame thee.

        The breeze that used to blow thee
        Between the hedgerow thorns, and take away
        An odour up the lane to last all day,---
        If breathing now,---unsweetened would forego thee.

        The sun that used to smite thee,
        And mix his glory in thy gorgeous urn,
        Till beam appeared to bloom, and flower to burn,---
        If shining now,---with not a hue would light thee.

        The dew that used to wet thee,
        And, white first, grow incarnadined, because
        It lay upon thee where the crimson was,---
        If dropping now,---would darken where it met thee.

        The fly that lit upon thee,
        To stretch the tendrils of its tiny feet,
        Along thy leaf's pure edges, after heat,---
        If lighting now,---would coldly overrun thee.

        The bee that once did suck thee,
        And build thy perfumed ambers up his hive,
        And swoon in thee for joy, till scarce alive,---
        If passing now,---would blindly overlook thee.

        The heart doth recognise thee,
        Alone, alone! The heart doth smell thee sweet,
        Doth view thee fair, doth judge thee most complete,---
        Though seeing now those changes that disguise thee.

        Yes, and the heart doth owe thee
        More love, dead rose! than to such roses bold
        As Julia wears at dances, smiling cold!---
        Lie still upon this heart---which breaks below thee!

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      A Man's Requirements

        I

        Love me Sweet, with all thou art,
        Feeling, thinking, seeing;
        Love me in the lightest part,
        Love me in full being.

        II

        Love me with thine open youth
        In its frank surrender;
        With the vowing of thy mouth,
        With its silence tender.

        III

        Love me with thine azure eyes,
        Made for earnest grantings;
        Taking colour from the skies,
        Can Heaven's truth be wanting?

        IV

        Love me with their lids, that fall
        Snow-like at first meeting;
        Love me with thine heart, that all
        Neighbours then see beating.

        V

        Love me with thine hand stretched out
        Freely -- open-minded:
        Love me with thy loitering foot, --
        Hearing one behind it.

        VI

        Love me with thy voice, that turns
        Sudden faint above me;
        Love me with thy blush that burns
        When I murmur 'Love me!'

        VII

        Love me with thy thinking soul,
        Break it to love-sighing;
        Love me with thy thoughts that roll
        On through living -- dying.

        VIII

        Love me in thy gorgeous airs,
        When the world has crowned thee;
        Love me, kneeling at thy prayers,
        With the angels round thee.

        IX

        Love me pure, as muses do,
        Up the woodlands shady:
        Love me gaily, fast and true,
        As a winsome lady.

        X

        Through all hopes that keep us brave,
        Farther off or nigher,
        Love me for the house and grave,
        And for something higher.

        XI

        Thus, if thou wilt prove me, Dear,
        Woman's love no fable,
        I will love thee -- half a year --
        As a man is able.

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      A Musical Instrument

        What was he doing, the great god Pan,
        Down in the reeds by the river?
        Spreading ruin and scattering ban,
        Splashing and paddling with hoofs of a goat,
        And breaking the golden lilies afloat
        With the dragon-fly on the river.

        He tore out a reed, the great god Pan,
        From the deep cool bed of the river:
        The limpid water turbidly ran,
        And the broken lilies a-dying lay,
        And the dragon-fly had fled away,
        Ere he brought it out of the river.

        High on the shore sat the great god Pan,
        While turbidly flowed the river;
        And hacked and hewed as a great god can,
        With his hard bleak steel at the patient reed,
        Till there was not a sign of the leaf indeed
        To prove it fresh from the river.

        He cut it short, did the great god Pan,
        (How tall it stood in the river!)
        Then drew the pith, like the heart of a man,
        Steadily from the outside ring,
        And notched the poor dry empty thing
        In holes, as he sat by the river.

        "This is the way," laughed the great god Pan,
        (Laughed while he sat by the river)
        "The only way, since gods began
        To make sweet music, they could succeed."
        Then, dropping his mouth to a hole in the reed,
        He blew in power by the river.

        Sweet, sweet, sweet, O Pan!
        Piercing sweet by the river!
        Blinding sweet, O great god Pan!
        The sun on the hill forgot to die,
        And the lilies revived, and the dragon-fly
        Came back to dream on the river.

        Yet half a beast is the great god Pan,
        To laugh as he sits by the river,
        Making a poet out of a man:
        The true gods sigh for the cost and pain—
        For the reed which grows nevermore again
        As a reed with the reeds in the river.

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      A Sea-Side Walk

        We walked beside the sea,
        After a day which perished silently
        Of its own glory---like the Princess weird
        Who, combating the Genius, scorched and seared,
        Uttered with burning breath, 'Ho! victory!'
        And sank adown, an heap of ashes pale;
        So runs the Arab tale.

        The sky above us showed
        An universal and unmoving cloud,
        On which, the cliffs permitted us to see
        Only the outline of their majesty,
        As master-minds, when gazed at by the crowd!
        And, shining with a gloom, the water grey
        Swang in its moon-taught way.

        Nor moon nor stars were out.
        They did not dare to tread so soon about,
        Though trembling, in the footsteps of the sun.
        The light was neither night's nor day's, but one
        Which, life-like, had a beauty in its doubt;
        And Silence's impassioned breathings round
        Seemed wandering into sound.

        O solemn-beating heart
        Of nature! I have knowledge that thou art
        Bound unto man's by cords he cannot sever---
        And, what time they are slackened by him ever,
        So to attest his own supernal part,
        Still runneth thy vibration fast and strong,
        The slackened cord along.

        For though we never spoke
        Of the grey water anal the shaded rock,---
        Dark wave and stone, unconsciously, were fused
        Into the plaintive speaking that we used,
        Of absent friends and memories unforsook;
        And, had we seen each other's face, we had
        Seen haply, each was sad.

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      A Thought For A Lonely Death-Bed

        IF God compel thee to this destiny,
        To die alone, with none beside thy bed
        To ruffle round with sobs thy last word said
        And mark with tears the pulses ebb from thee,--
        Pray then alone, ' O Christ, come tenderly !
        By thy forsaken Sonship in the red
        Drear wine-press,--by the wilderness out-spread,--
        And the lone garden where thine agony
        Fell bloody from thy brow,--by all of those
        Permitted desolations, comfort mine !
        No earthly friend being near me, interpose
        No deathly angel 'twixt my face aud thine,
        But stoop Thyself to gather my life's rose,
        And smile away my mortal to Divine !

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      A Woman's Shortcomings

        She has laughed as softly as if she sighed,
        She has counted six, and over,
        Of a purse well filled, and a heart well tried -
        Oh, each a worthy lover!
        They "give her time"; for her soul must slip
        Where the world has set the grooving;
        She will lie to none with her fair red lip:
        But love seeks truer loving.

        She trembles her fan in a sweetness dumb,
        As her thoughts were beyond recalling;
        With a glance for one, and a glance for some,
        From her eyelids rising and falling;
        Speaks common words with a blushful air,
        Hears bold words, unreproving;
        But her silence says - what she never will swear -
        And love seeks better loving.

        Go, lady! lean to the night-guitar,
        And drop a smile to the bringer;
        Then smile as sweetly, when he is far,
        At the voice of an in-door singer.
        Bask tenderly beneath tender eyes;
        Glance lightly, on their removing;
        And join new vows to old perjuries -
        But dare not call it loving!

        Unless you can think, when the song is done,
        No other is soft in the rhythm;
        Unless you can feel, when left by One,
        That all men else go with him;
        Unless you can know, when unpraised by his breath,
        That your beauty itself wants proving;
        Unless you can swear "For life, for death!" -
        Oh, fear to call it loving!

        Unless you can muse in a crowd all day
        On the absent face that fixed you;
        Unless you can love, as the angels may,
        With the breadth of heaven betwixt you;
        Unless you can dream that his faith is fast,
        Through behoving and unbehoving;
        Unless you can die when the dream is past -
        Oh, never call it loving!

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      A Year's Spinning

        1
        He listened at the porch that day,
        To hear the wheel go on, and on;
        And then it stopped, ran back away,
        While through the door he brought the sun:
        But now my spinning is all done.

        2
        He sat beside me, with an oath
        That love ne'er ended, once begun;
        I smiled--believing for us both,
        What was the truth for only one:
        And now my spinning is all done.

        3
        My mother cursed me that I heard
        A young man's wooing as I spun:
        Thanks, cruel mother, for that word--
        For I have, since, a harder known!
        And now my spinning is all done.

        4
        I thought--O God!--my first-born's cry
        Both voices to mine ear would drown:
        I listened in mine agony--
        It was the silence made me groan!
        And now my spinning is all done.

        5
        Bury me 'twixt my mother's grave,
        (Who cursed me on her death-bed lone)
        And my dead baby's (God it save!)
        Who, not to bless me, would not moan.
        And now my spinning is all done.

        6
        A stone upon my heart and head,
        But no name written on the stone!
        Sweet neighbours, whisper low instead,
        "This sinner was a loving one--
        And now her spinning is all done."

        7
        And let the door ajar remain,
        In case he should pass by anon;
        And leave the wheel out very plain,--
        That HE, when passing in the sun,
        May see the spinning is all done.

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      Aurora Leigh (Excerpts)

        [Book 1]
        I am like,
        They tell me, my dear father. Broader brows
        Howbeit, upon a slenderer undergrowth
        Of delicate features, -- paler, near as grave ;
        But then my mother's smile breaks up the whole,
        And makes it better sometimes than itself.
        So, nine full years, our days were hid with God
        Among his mountains : I was just thirteen,
        Still growing like the plants from unseen roots
        In tongue-tied Springs, -- and suddenly awoke
        To full life and life 's needs and agonies,
        With an intense, strong, struggling heart beside
        A stone-dead father. Life, struck sharp on death,
        Makes awful lightning. His last word was, `Love --'
        `Love, my child, love, love !' -- (then he had done with grief)
        `Love, my child.' Ere I answered he was gone,
        And none was left to love in all the world.
        There, ended childhood. What succeeded next
        I recollect as, after fevers, men
        Thread back the passage of delirium,
        Missing the turn still, baffled by the door ;
        Smooth endless days, notched here and there with knives ;
        A weary, wormy darkness, spurr'd i' the flank
        With flame, that it should eat and end itself
        Like some tormented scorpion. Then at last
        I do remember clearly, how there came
        A stranger with authority, not right,
        (I thought not) who commanded, caught me up
        From old Assunta's neck ; how, with a shriek,
        She let me go, -- while I, with ears too full
        Of my father's silence, to shriek back a word,
        In all a child's astonishment at grief
        Stared at the wharf-edge where she stood and moaned,
        My poor Assunta, where she stood and moaned !
        The white walls, the blue hills, my Italy,
        Drawn backward from the shuddering steamer-deck,
        Like one in anger drawing back her skirts
        Which supplicants catch at. Then the bitter sea
        Inexorably pushed between us both,
        And sweeping up the ship with my despair
        Threw us out as a pasture to the stars.
        Ten nights and days we voyaged on the deep ;
        Ten nights and days, without the common face
        Of any day or night ; the moon and sun
        Cut off from the green reconciling earth,
        To starve into a blind ferocity
        And glare unnatural ; the very sky
        (Dropping its bell-net down upon the sea
        As if no human heart should 'scape alive,)
        Bedraggled with the desolating salt,
        Until it seemed no more that holy heaven
        To which my father went. All new and strange
        The universe turned stranger, for a child.
        Then, land ! -- then, England ! oh, the frosty cliffs
        Looked cold upon me. Could I find a home
        Among those mean red houses through the fog ?
        And when I heard my father's language first
        From alien lips which had no kiss for mine
        I wept aloud, then laughed, then wept, then wept,
        And some one near me said the child was mad
        Through much sea-sickness. The train swept us on.
        Was this my father's England ? the great isle ?
        The ground seemed cut up from the fellowship
        Of verdure, field from field, as man from man ;
        The skies themselves looked low and positive,
        As almost you could touch them with a hand,
        And dared to do it they were so far off
        From God's celestial crystals ; all things blurred
        And dull and vague. Did Shakspeare and his mates
        Absorb the light here ? -- not a hill or stone
        With heart to strike a radiant colour up
        Or active outline on the indifferent air.
        I think I see my father's sister stand
        Upon the hall-step of her country-house
        To give me welcome. She stood straight and calm,
        Her somewhat narrow forehead braided tight
        As if for taming accidental thoughts
        From possible pulses ; brown hair pricked with grey
        By frigid use of life, (she was not old
        Although my father's elder by a year)
        A nose drawn sharply yet in delicate lines ;
        A close mild mouth, a little soured about
        The ends, through speaking unrequited loves
        Or peradventure niggardly half-truths ;
        Eyes of no colour, -- once they might have smiled,
        But never, never have forgot themselves
        In smiling ; cheeks, in which was yet a rose
        Of perished summers, like a rose in a book,
        Kept more for ruth than pleasure, -- if past bloom,
        Past fading also.
        She had lived, we'll say,
        A harmless life, she called a virtuous life,
        A quiet life, which was not life at all,
        (But that, she had not lived enough to know)
        Between the vicar and the country squires,
        The lord-lieutenant looking down sometimes
        From the empyrean to assure their souls
        Against chance-vulgarisms, and, in the abyss
        The apothecary, looked on once a year
        To prove their soundness of humility.
        The poor-club exercised her Christian gifts
        Of knitting stockings, stitching petticoats,
        Because we are of one flesh after all
        And need one flannel (with a proper sense
        Of difference in the quality) -- and still
        The book-club, guarded from your modern trick
        Of shaking dangerous questions from the crease,
        Preserved her intellectual. She had lived
        A sort of cage-bird life, born in a cage,
        Accounting that to leap from perch to perch
        Was act and joy enough for any bird.
        Dear heaven, how silly are the things that live
        In thickets, and eat berries !
        I, alas,
        A wild bird scarcely fledged, was brought to her cage,
        And she was there to meet me. Very kind.
        Bring the clean water, give out the fresh seed.
        She stood upon the steps to welcome me,
        Calm, in black garb. I clung about her neck, --
        Young babes, who catch at every shred of wool
        To draw the new light closer, catch and cling
        Less blindly. In my ears, my father's word
        Hummed ignorantly, as the sea in shells,
        `Love, love, my child.' She, black there with my grief,
        Might feel my love -- she was his sister once,
        I clung to her. A moment, she seemed moved,
        Kissed me with cold lips, suffered me to cling,
        And drew me feebly through the hall into
        The room she sate in.
        There, with some strange spasm
        Of pain and passion, she wrung loose my hands
        Imperiously, and held me at arm's length,
        And with two grey-steel naked-bladed eyes
        Searched through my face, -- ay, stabbed it through and through,
        Through brows and cheeks and chin, as if to find
        A wicked murderer in my innocent face,
        If not here, there perhaps. Then, drawing breath,
        She struggled for her ordinary calm
        And missed it rather, -- told me not to shrink,
        As if she had told me not to lie or swear, --
        `She loved my father, and would love me too
        As long as I deserved it.' Very kind.

        [Book 5]

        AURORA LEIGH, be humble. Shall I hope
        To speak my poems in mysterious tune
        With man and nature ? -- with the lava-lymph
        That trickles from successive galaxies
        Still drop by drop adown the finger of God
        In still new worlds ? -- with summer-days in this ?
        That scarce dare breathe they are so beautiful ?--
        With spring's delicious trouble in the ground,
        Tormented by the quickened blood of roots,
        And softly pricked by golden crocus-sheaves
        In token of the harvest-time of flowers ?--
        With winters and with autumns, -- and beyond,
        With the human heart's large seasons, when it hopes
        And fears, joys, grieves, and loves ? -- with all that strain
        Of sexual passion, which devours the flesh
        In a sacrament of souls ? with mother's breasts
        Which, round the new-made creatures hanging there,
        Throb luminous and harmonious like pure spheres ? --
        With multitudinous life, and finally
        With the great escapings of ecstatic souls,
        Who, in a rush of too long prisoned flame,
        Their radiant faces upward, burn away
        This dark of the body, issuing on a world,
        Beyond our mortal ? -- can I speak my verse
        Sp plainly in tune to these things and the rest,
        That men shall feel it catch them on the quick,
        As having the same warrant over them
        To hold and move them if they will or no,
        Alike imperious as the primal rhythm
        Of that theurgic nature ? I must fail,
        Who fail at the beginning to hold and move
        One man, -- and he my cousin, and he my friend,
        And he born tender, made intelligent,
        Inclined to ponder the precipitous sides
        Of difficult questions ; yet, obtuse to me,
        Of me, incurious ! likes me very well,
        And wishes me a paradise of good,
        Good looks, good means, and good digestion, -- ay,
        But otherwise evades me, puts me off
        With kindness, with a tolerant gentleness, --
        Too light a book for a grave man's reading ! Go,
        Aurora Leigh : be humble.
        There it is,
        We women are too apt to look to One,
        Which proves a certain impotence in art.
        We strain our natures at doing something great,
        Far less because it 's something great to do,
        Than haply that we, so, commend ourselves
        As being not small, and more appreciable
        To some one friend. We must have mediators
        Betwixt our highest conscience and the judge ;
        Some sweet saint's blood must quicken in our palms
        Or all the life in heaven seems slow and cold :
        Good only being perceived as the end of good,
        And God alone pleased, -- that's too poor, we think,
        And not enough for us by any means.
        Ay, Romney, I remember, told me once
        We miss the abstract when we comprehend.
        We miss it most when we aspire, -- and fail.
        Yet, so, I will not. -- This vile woman's way
        Of trailing garments, shall not trip me up :
        I 'll have no traffic with the personal thought
        In art's pure temple. Must I work in vain,
        Without the approbation of a man ?
        It cannot be ; it shall not. Fame itself,
        That approbation of the general race,
        Presents a poor end, (though the arrow speed,
        Shot straight with vigorous finger to the white,)
        And the highest fame was never reached except
        By what was aimed above it. Art for art,
        And good for God Himself, the essential Good !
        We 'll keep our aims sublime, our eyes erect,
        Although our woman-hands should shake and fail ;
        And if we fail .. But must we ? --
        Shall I fail ?
        The Greeks said grandly in their tragic phrase,
        `Let no one be called happy till his death.'
        To which I add, -- Let no one till his death
        Be called unhappy. Measure not the work
        Until the day 's out and the labour done,
        Then bring your gauges. If the day's work 's scant,
        Why, call it scant ; affect no compromise ;
        And, in that we have nobly striven at least,
        Deal with us nobly, women though we be.
        And honour us with truth if not with praise.

      Up

      Bianca Among The Nightingales

        The cypress stood up like a church
        That night we felt our love would hold,
        And saintly moonlight seemed to search
        And wash the whole world clean as gold;
        The olives crystallized the vales'
        Broad slopes until the hills grew strong:
        The fireflies and the nightingales
        Throbbed each to either, flame and song.
        The nightingales, the nightingales.

        Upon the angle of its shade
        The cypress stood, self-balanced high;
        Half up, half down, as double-made,
        Along the ground, against the sky.
        And we, too! from such soul-height went
        Such leaps of blood, so blindly driven,
        We scarce knew if our nature meant
        Most passionate earth or intense heaven.
        The nightingales, the nightingales.

        We paled with love, we shook with love,
        We kissed so close we could not vow;
        Till Giulio whispered, 'Sweet, above
        God's Ever guarantees this Now.'
        And through his words the nightingales
        Drove straight and full their long clear call,
        Like arrows through heroic mails,
        And love was awful in it all.
        The nightingales, the nightingales.

        O cold white moonlight of the north,
        Refresh these pulses, quench this hell!
        O coverture of death drawn forth
        Across this garden-chamber... well!
        But what have nightingales to do
        In gloomy England, called the free.
        (Yes, free to die in!...) when we two
        Are sundered, singing still to me?
        And still they sing, the nightingales.

        I think I hear him, how he cried
        'My own soul's life' between their notes.
        Each man has but one soul supplied,
        And that's immortal. Though his throat's
        On fire with passion now, to her
        He can't say what to me he said!
        And yet he moves her, they aver.
        The nightingales sing through my head.
        The nightingales, the nightingales.

        He says to her what moves her most.
        He would not name his soul within
        Her hearing,—rather pays her cost
        With praises to her lips and chin.
        Man has but one soul, 'tis ordained,
        And each soul but one love, I add;
        Yet souls are damned and love's profaned.
        These nightingales will sing me mad!
        The nightingales, the nightingales.

        I marvel how the birds can sing.
        There's little difference, in their view,
        Betwixt our Tuscan trees that spring
        As vital flames into the blue,
        And dull round blots of foliage meant
        Like saturated sponges here
        To suck the fogs up. As content
        Is he too in this land, 'tis clear.
        And still they sing, the nightingales.

        My native Florence! dear, forgone!
        I see across the Alpine ridge
        How the last feast-day of Saint John
        Shot rockets from Carraia bridge.
        The luminous city, tall with fire,
        Trod deep down in that river of ours,
        While many a boat with lamp and choir
        Skimmed birdlike over glittering towers.
        I will not hear these nightingales.

        I seem to float, we seem to float
        Down Arno's stream in festive guise;
        A boat strikes flame into our boat,
        And up that lady seems to rise
        As then she rose. The shock had flashed
        A vision on us! What a head,
        What leaping eyeballs!—beauty dashed
        To splendour by a sudden dread.
        And still they sing, the nightingales.

        Too bold to sin, too weak to die;
        Such women are so. As for me,
        I would we had drowned there, he and I,
        That moment, loving perfectly.
        He had not caught her with her loosed
        Gold ringlets... rarer in the south...
        Nor heard the 'Grazie tanto' bruised
        To sweetness by her English mouth.
        And still they sing, the nightingales.

        She had not reached him at my heart
        With her fine tongue, as snakes indeed
        Kill flies; nor had I, for my part,
        Yearned after, in my desperate need,
        And followed him as he did her
        To coasts left bitter by the tide,
        Whose very nightingales, elsewhere
        Delighting, torture and deride!
        For still they sing, the nightingales.

        A worthless woman! mere cold clay
        As all false things are! but so fair,
        She takes the breath of men away
        Who gaze upon her unaware.
        I would not play her larcenous tricks
        To have her looks! She lied and stole,
        And spat into my love's pure pyx
        The rank saliva of her soul.
        And still they sing, the nightingales.

        I would not for her white and pink,
        Though such he likes—her grace of limb,
        Though such he has praised—nor yet, I think,
        For life itself, though spent with him,
        Commit such sacrilege, affront
        God's nature which is love, intrude
        'Twixt two affianced souls, and hunt
        Like spiders, in the altar's wood.
        I cannot bear these nightingales.

        If she chose sin, some gentler guise
        She might have sinned in, so it seems:
        She might have pricked out both my eyes,
        And I still seen him in my dreams!
        - Or drugged me in my soup or wine,
        Nor left me angry afterward:
        To die here with his hand in mine
        His breath upon me, were not hard.
        (Our Lady hush these nightingales!)

        But set a springe for him, 'mio ben',
        My only good, my first last love!—
        Though Christ knows well what sin is, when
        He sees some things done they must move
        Himself to wonder. Let her pass.
        I think of her by night and day.
        Must I too join her... out, alas!...
        With Giulio, in each word I say!
        And evermore the nightingales!

        Giulio, my Giulio!—sing they so,
        And you be silent? Do I speak,
        And you not hear? An arm you throw
        Round some one, and I feel so weak?
        - Oh, owl-like birds! They sing for spite,
        They sing for hate, they sing for doom!
        They'll sing through death who sing through night,
        They'll sing and stun me in the tomb—
        The nightingales, the nightingales!

      Up

      Change Upon Change

        Five months ago the stream did flow,
        The lilies bloomed within the sedge,
        And we were lingering to and fro,
        Where none will track thee in this snow,
        Along the stream, beside the hedge.
        Ah, Sweet, be free to love and go!
        For if I do not hear thy foot,
        The frozen river is as mute,
        The flowers have dried down to the root:
        And why, since these be changed since May,
        Shouldst thou change less than they.

        And slow, slow as the winter snow
        The tears have drifted to mine eyes;
        And my poor cheeks, five months ago
        Set blushing at thy praises so,
        Put paleness on for a disguise.
        Ah, Sweet, be free to praise and go!
        For if my face is turned too pale,
        It was thine oath that first did fail, --
        It was thy love proved false and frail, --
        And why, since these be changed enow,
        Should I change less than thou.

      Up

      Cheerfulness Taught By Reason

        I THINK we are too ready with complaint
        In this fair world of God's. Had we no hope
        Indeed beyond the zenith and the slope
        Of yon gray blank of sky, we might grow faint
        To muse upon eternity's constraint
        Round our aspirant souls; but since the scope
        Must widen early, is it well to droop,
        For a few days consumed in loss and taint ?
        O pusillanimous Heart, be comforted
        And, like a cheerful traveller, take the road
        Singing beside the hedge. What if the bread
        Be bitter in thine inn, and thou unshod
        To meet the flints ? At least it may be said
        ' Because the way is short, I thank thee, God. '

      Up

      Comfort

        SPEAK low to me, my Saviour, low and sweet
        From out the hallelujahs, sweet and low
        Lest I should fear and fall, and miss Thee so
        Who art not missed by any that entreat.
        Speak to mo as to Mary at thy feet !
        And if no precious gums my hands bestow,
        Let my tears drop like amber while I go
        In reach of thy divinest voice complete
        In humanest affection -- thus, in sooth,
        To lose the sense of losing. As a child,
        Whose song-bird seeks the wood for evermore
        Is sung to in its stead by mother's mouth
        Till, sinking on her breast, love-reconciled,
        He sleeps the faster that he wept before.

      Up

      Consolation

        All are not taken; there are left behind
        Living Belovиds, tender looks to bring
        And make the daylight still a happy thing,
        And tender voices, to make soft the wind:
        But if it were not so—if I could find
        No love in all this world for comforting,
        Nor any path but hollowly did ring
        Where 'dust to dust' the love from life disjoin'd;
        And if, before those sepulchres unmoving
        I stood alone (as some forsaken lamb
        Goes bleating up the moors in weary dearth)
        Crying 'Where are ye, O my loved and loving?'—
        I know a voice would sound, 'Daughter, I AM.
        Can I suffice for Heaven and not for earth?'

      Up

      De Profundis

        I

        The face, which, duly as the sun,
        Rose up for me with life begun,
        To mark all bright hours of the day
        With hourly love, is dimmed away—
        And yet my days go on, go on.

        II

        The tongue which, like a stream, could run
        Smooth music from the roughest stone,
        And every morning with ' Good day'
        Make each day good, is hushed away,
        And yet my days go on, go on.

        III

        The heart which, like a staff, was one
        For mine to lean and rest upon,
        The strongest on the longest day
        With steadfast love, is caught away,
        And yet my days go on, go on.

        IV

        And cold before my summer's done,
        And deaf in Nature's general tune,
        And fallen too low for special fear,
        And here, with hope no longer here,
        While the tears drop, my days go on.

        V

        The world goes whispering to its own,
        ‘This anguish pierces to the bone;’
        And tender friends go sighing round,
        ‘What love can ever cure this wound ?'
        My days go on, my days go on.

        VI

        The past rolls forward on the sun
        And makes all night. O dreams begun,
        Not to be ended! Ended bliss,
        And life that will not end in this!
        My days go on, my days go on.

        VII

        Breath freezes on my lips to moan:
        As one alone, once not alone,
        I sit and knock at Nature's door,
        Heart-bare, heart-hungry, very poor,
        Whose desolated days go on.

        VIII

        I knock and cry, —Undone, undone!
        Is there no help, no comfort, —none?
        No gleaning in the wide wheat plains
        Where others drive their loaded wains?
        My vacant days go on, go on.

        IX

        This Nature, though the snows be down,
        Thinks kindly of the bird of June:
        The little red hip on the tree
        Is ripe for such. What is for me,
        Whose days so winterly go on?

        X

        No bird am I, to sing in June,
        And dare not ask an equal boon.
        Good nests and berries red are Nature's
        To give away to better creatures, —
        And yet my days go on, go on.

        XI

        I ask less kindness to be done, —
        Only to loose these pilgrim shoon,
        (Too early worn and grimed) with sweet
        Cool deadly touch to these tired feet.
        Till days go out which now go on.

        XII

        Only to lift the turf unmown
        From off the earth where it has grown,
        Some cubit-space, and say ‘Behold,
        Creep in, poor Heart, beneath that fold,
        Forgetting how the days go on.’


        XIII

        What harm would that do? Green anon
        The sward would quicken, overshone
        By skies as blue; and crickets might
        Have leave to chirp there day and night
        While my new rest went on, went on.

        XIV

        From gracious Nature have I won
        Such liberal bounty? may I run
        So, lizard-like, within her side,
        And there be safe, who now am tried
        By days that painfully go on?

        XV

        —A Voice reproves me thereupon,
        More sweet than Nature's when the drone
        Of bees is sweetest, and more deep
        Than when the rivers overleap
        The shuddering pines, and thunder on.

        XVI

        God's Voice, not Nature's! Night and noon
        He sits upon the great white throne
        And listens for the creatures' praise.
        What babble we of days and days?
        The Day-spring He, whose days go on.

        XVII

        He reigns above, He reigns alone;
        Systems burn out and have his throne;
        Fair mists of seraphs melt and fall
        Around Him, changeless amid all,
        Ancient of Days, whose days go on.

        XVIII

        He reigns below, He reigns alone,
        And, having life in love forgone
        Beneath the crown of sovran thorns,
        He reigns the Jealous God. Who mourns
        Or rules with Him, while days go on?

        XIX

        By anguish which made pale the sun,
        I hear Him charge his saints that none
        Among his creatures anywhere
        Blaspheme against Him with despair,
        However darkly days go on.

        XX

        Take from my head the thorn-wreath brown!
        No mortal grief deserves that crown.
        O supreme Love, chief misery,
        The sharp regalia are for Thee
        Whose days eternally go on!

        XXI

        For us, —whatever's undergone,
        Thou knowest, willest what is done,
        Grief may be joy misunderstood;
        Only the Good discerns the good.
        I trust Thee while my days go on.

        XXII

        Whatever's lost, it first was won;
        We will not struggle nor impugn.
        Perhaps the cup was broken here,
        That Heaven's new wine might show more clear.
        I praise Thee while my days go on.

        XXIII

        I praise Thee while my days go on;
        I love Thee while my days go on:
        Through dark and dearth, through fire and frost,
        With emptied arms and treasure lost,
        I thank Thee while my days go on.

        XXIV

        And having in thy life-depth thrown
        Being and suffering (which are one),
        As a child drops his pebble small
        Down some deep well, and hears it fall
        Smiling—so I. THY DAYS GO ON.

      Up

      Discontent

        LIGHT human nature is too lightly tost
        And ruffled without cause, complaining on--
        Restless with rest, until, being overthrown,
        It learneth to lie quiet. Let a frost
        Or a small wasp have crept to the inner-most
        Of our ripe peach, or let the wilful sun
        Shine westward of our window,--straight we run
        A furlong's sigh as if the world were lost.
        But what time through the heart and through the brain
        God hath transfixed us,--we, so moved before,
        Attain to a calm. Ay, shouldering weights of pain,
        We anchor in deep waters, safe from shore,
        And hear submissive o'er the stormy main
        God's chartered judgments walk for evermore.

      Up

      Exaggeration

        WE overstate the ills of life, and take
        Imagination (given us to bring down
        The choirs of singing angels overshone
        By God's clear glory) down our earth to rake
        The dismal snows instead, flake following flake,
        To cover all the corn; we walk upon
        The shadow of hills across a level thrown,
        And pant like climbers: near the alder brake
        We sigh so loud, the nightingale within
        Refuses to sing loud, as else she would.
        O brothers, let us leave the shame and sin
        Of taking vainly, in a plaintive mood,
        The holy name of GRIEF !--holy herein
        That by the grief of ONE came all our good.

      Up

      Grief

        I tell you hopeless grief is passionless,
        That only men incredulous of despair,
        Half-taught in anguish, through the midnight air
        Beat upward to God's throne in loud access
        Of shrieking and reproach. Full desertness
        In souls, as countries, lieth silent-bare
        Under the blanching, vertical eye-glare
        Of the absolute heavens. Deep-hearted man, express
        Grief for thy dead in silence like to death—
        Most like a monumental statue set
        In everlasting watch and moveless woe
        Till itself crumble to the dust beneath.
        Touch it; the marble eyelids are not wet;
        If it could weep, it could arise and go.

      Up

      Human Life’s Mystery

        We sow the glebe, we reap the corn,
        We build the house where we may rest,
        And then, at moments, suddenly,
        We look up to the great wide sky,
        Inquiring wherefore we were born…
        For earnest or for jest?

        The senses folding thick and dark
        About the stifled soul within,
        We guess diviner things beyond,
        And yearn to them with yearning fond;
        We strike out blindly to a mark
        Believed in, but not seen.

        We vibrate to the pant and thrill
        Wherewith Eternity has curled
        In serpent-twine about God’s seat;
        While, freshening upward to His feet,
        In gradual growth His full-leaved will
        Expands from world to world.

        And, in the tumult and excess
        Of act and passion under sun,
        We sometimes hear—oh, soft and far,
        As silver star did touch with star,
        The kiss of Peace and Righteousness
        Through all things that are done.

        God keeps His holy mysteries
        Just on the outside of man’s dream;
        In diapason slow, we think
        To hear their pinions rise and sink,
        While they float pure beneath His eyes,
        Like swans adown a stream.

        Abstractions, are they, from the forms
        Of His great beauty?—exaltations
        From His great glory?—strong previsions
        Of what we shall be?—intuitions
        Of what we are—in calms and storms,
        Beyond our peace and passions?

        Things nameless! which, in passing so,
        Do stroke us with a subtle grace.
        We say, ‘Who passes?’—they are dumb.
        We cannot see them go or come:
        Their touches fall soft, cold, as snow
        Upon a blind man’s face.

        Yet, touching so, they draw above
        Our common thoughts to Heaven’s unknown,
        Our daily joy and pain advance
        To a divine significance,
        Our human love—O mortal love,
        That light is not its own!

        And sometimes horror chills our blood
        To be so near such mystic Things,
        And we wrap round us for defence
        Our purple manners, moods of sense—
        As angels from the face of God
        Stand hidden in their wings.

        And sometimes through life’s heavy swound
        We grope for them!—with strangled breath
        We stretch our hands abroad and try
        To reach them in our agony,—
        And widen, so, the broad life-wound
        Which soon is large enough for death.

      Up

      I

        I thought once how Theocritus had sung
        Of the sweet years, the dear and wished-for years,
        Who each one in a gracious hand appears
        To bear a gift for mortals, old or young:
        And, as I mused it in his antique tongue,
        I saw, in gradual vision through my tears,
        The sweet, sad years, the melancholy years,
        Those of my own life, who by turns had flung
        A shadow across me. Straightway I was 'ware,
        So weeping, how a mystic Shape did move
        Behind me, and drew me backward by the hair:
        And a voice said in mastery, while I strove,--
        'Guess now who holds thee ? '--' Death,' I said. But, there,
        The silver answer rang,--' Not Death, but Love.'

      Up

      Insufficiency

        When I attain to utter forth in verse
        Some inward thought, my soul throbs audibly
        Along my pulses, yearning to be free
        And something farther, fuller, higher, rehearse
        To the individual, true, and the universe,
        In consummation of right harmony:
        But, like a wind-exposed distorted tree,
        We are blown against for ever by the curse
        Which breathes through Nature. Oh, the world is weak !
        The effluence of each is false to all,
        And what we best conceive we fail to speak.
        Wait, soul, until thine ashen garments fall,
        And then resume thy broken strains, and seek
        Fit peroration without let or thrall.

      Up

      Lord Walter's Wife

        I

        'But where do you go?' said the lady, while both sat under the yew,
        And her eyes were alive in their depth, as the kraken beneath the sea-blue.

        II

        'Because I fear you,' he answered;--'because you are far too fair,
        And able to strangle my soul in a mesh of your golfd-coloured hair.'

        III

        'Oh that,' she said, 'is no reason! Such knots are quickly undone,
        And too much beauty, I reckon, is nothing but too much sun.'

        IV

        'Yet farewell so,' he answered; --'the sunstroke's fatal at times.
        I value your husband, Lord Walter, whose gallop rings still from the limes.

        V

        'Oh that,' she said, 'is no reason. You smell a rose through a fence:
        If two should smell it what matter? who grumbles, and where's the pretense?

        VI

        'But I,' he replied, 'have promised another, when love was free,
        To love her alone, alone, who alone from afar loves me.'

        VII

        'Why, that,' she said, 'is no reason. Love's always free I am told.
        Will you vow to be safe from the headache on Tuesday, and think it will hold?

        VIII

        'But you,' he replied, 'have a daughter, a young child, who was laid
        In your lap to be pure; so I leave you: the angels would make me afraid."

        IX

        'Oh that,' she said, 'is no reason. The angels keep out of the way;
        And Dora, the child, observes nothing, although you should please me and stay.'

        X

        At which he rose up in his anger,--'Why now, you no longer are fair!
        Why, now, you no longer are fatal, but ugly and hateful, I swear.'

        XI

        At which she laughed out in her scorn: 'These men! Oh these men overnice,
        Who are shocked if a colour not virtuous is frankly put on by a vice.'

        XII

        Her eyes blazed upon him--'And you! You bring us your vices so near
        That we smell them! You think in our presence a thought 'twould defame us to hear!

        XIII

        'What reason had you, and what right,--I appel to your soul from my life,--
        To find me so fair as a woman? Why, sir, I am pure, and a wife.

        XIV

        'Is the day-star too fair up above you? It burns you not. Dare you imply
        I brushed you more close than the star does, when Walter had set me as high?

        XV

        'If a man finds a woman too fair, he means simply adapted too much
        To use unlawful and fatal. The praise! --shall I thank you for such?

        XVI

        'Too fair?--not unless you misuse us! and surely if, once in a while,
        You attain to it, straightaway you call us no longer too fair, but too vile.

        XVII

        'A moment,--I pray your attention!--I have a poor word in my head
        I must utter, though womanly custom would set it down better unsaid.

        XVIII

        'You grew, sir, pale to impertinence, once when I showed you a ring.
        You kissed my fan when I dropped it. No matter! I've broken the thing.

        XIX

        'You did me the honour, perhaps, to be moved at my side now and then
        In the senses--a vice, I have heard, which is common to beasts and some men.

        XX

        'Love's a virtue for heroes!--as white as the snow on high hills,
        And immortal as every great soul is that struggles, endures, and fulfils.

        XXI
        'I love my Walter profoundly,--you, Maude, though you faltered a week,
        For the sake of . . . what is it--an eyebrow? or, less still, a mole on the cheek?

        XXII
        'And since, when all's said, you're too noble to stoop to the frivolous cant
        About crimes irresistable, virtues that swindle, betray and supplant.

        XXIII

        'I determined to prove to yourself that, whate'er you might dream or avow
        By illusion, you wanted precisely no more of me than you have now.

        XXIV

        'There! Look me full in the face!--in the face. Understand, if you can,
        That the eyes of such women as I am are clean as the palm of a man.

        XXV
        'Drop his hand, you insult him. Avoid us for fear we should cost you a scar--
        You take us for harlots, I tell you, and not for the women we are.

        XXVI

        'You wronged me: but then I considered . . . there's Walter! And so at the end
        I vowed that he should not be mulcted, by me, in the hand of a friend.

        XXVII

        'Have I hurt you indeed? We are quits then. Nay, friend of my Walter, be mine!
        Come, Dora, my darling, my angel, and help me to ask him to dine.'

      Upv

      Mother And Poet

        I.

        Dead ! One of them shot by the sea in the east,
        And one of them shot in the west by the sea.
        Dead ! both my boys ! When you sit at the feast
        And are wanting a great song for Italy free,
        Let none look at me !

        II.
        Yet I was a poetess only last year,
        And good at my art, for a woman, men said ;
        But this woman, this, who is agonized here,
        -- The east sea and west sea rhyme on in her head
        For ever instead.

        III.
        What art can a woman be good at ? Oh, vain !
        What art is she good at, but hurting her breast
        With the milk-teeth of babes, and a smile at the pain ?
        Ah boys, how you hurt ! you were strong as you pressed,
        And I proud, by that test.

        IV.
        What art's for a woman ? To hold on her knees
        Both darlings ! to feel all their arms round her throat,
        Cling, strangle a little ! to sew by degrees
        And 'broider the long-clothes and neat little coat ;
        To dream and to doat.

        V.
        To teach them ... It stings there ! I made them indeed
        Speak plain the word country. I taught them, no doubt,
        That a country's a thing men should die for at need.
        I prated of liberty, rights, and about
        The tyrant cast out.

        VI.
        And when their eyes flashed ... O my beautiful eyes ! ...
        I exulted ; nay, let them go forth at the wheels
        Of the guns, and denied not. But then the surprise
        When one sits quite alone ! Then one weeps, then one kneels !
        God, how the house feels !

        VII.
        At first, happy news came, in gay letters moiled
        With my kisses, -- of camp-life and glory, and how
        They both loved me ; and, soon coming home to be spoiled
        In return would fan off every fly from my brow
        With their green laurel-bough.

        VIII.
        Then was triumph at Turin : `Ancona was free !'
        And some one came out of the cheers in the street,
        With a face pale as stone, to say something to me.
        My Guido was dead ! I fell down at his feet,
        While they cheered in the street.

        IX.
        I bore it ; friends soothed me ; my grief looked sublime
        As the ransom of Italy. One boy remained
        To be leant on and walked with, recalling the time
        When the first grew immortal, while both of us strained
        To the height he had gained.

        X.
        And letters still came, shorter, sadder, more strong,
        Writ now but in one hand, `I was not to faint, --
        One loved me for two -- would be with me ere long :
        And Viva l' Italia ! -- he died for, our saint,
        Who forbids our complaint."

        XI.
        My Nanni would add, `he was safe, and aware
        Of a presence that turned off the balls, -- was imprest
        It was Guido himself, who knew what I could bear,
        And how 'twas impossible, quite dispossessed,
        To live on for the rest."

        XII.
        On which, without pause, up the telegraph line
        Swept smoothly the next news from Gaeta : -- Shot.
        Tell his mother. Ah, ah, ` his, ' ` their ' mother, -- not ` mine, '
        No voice says "My mother" again to me. What !
        You think Guido forgot ?

        XIII.
        Are souls straight so happy that, dizzy with Heaven,
        They drop earth's affections, conceive not of woe ?
        I think not. Themselves were too lately forgiven
        Through THAT Love and Sorrow which reconciled so
        The Above and Below.

        XIV.
        O Christ of the five wounds, who look'dst through the dark
        To the face of Thy mother ! consider, I pray,
        How we common mothers stand desolate, mark,
        Whose sons, not being Christs, die with eyes turned away,
        And no last word to say !

        XV.
        Both boys dead ? but that's out of nature. We all
        Have been patriots, yet each house must always keep one.
        'Twere imbecile, hewing out roads to a wall ;
        And, when Italy 's made, for what end is it done
        If we have not a son ?

        XVI.
        Ah, ah, ah ! when Gaeta's taken, what then ?
        When the fair wicked queen sits no more at her sport
        Of the fire-balls of death crashing souls out of men ?
        When the guns of Cavalli with final retort
        Have cut the game short ?

        XVII.
        When Venice and Rome keep their new jubilee,
        When your flag takes all heaven for its white, green, and red,
        When you have your country from mountain to sea,
        When King Victor has Italy's crown on his head,
        (And I have my Dead) --

        XVIII.
        What then ? Do not mock me. Ah, ring your bells low,
        And burn your lights faintly ! My country is there,
        Above the star pricked by the last peak of snow :
        My Italy 's THERE, with my brave civic Pair,
        To disfranchise despair !

        XIX.
        Forgive me. Some women bear children in strength,
        And bite back the cry of their pain in self-scorn ;
        But the birth-pangs of nations will wring us at length
        Into wail such as this -- and we sit on forlorn
        When the man-child is born.

        XX.
        Dead ! One of them shot by the sea in the east,
        And one of them shot in the west by the sea.
        Both ! both my boys ! If in keeping the feast
        You want a great song for your Italy free,
        Let none look at me !

      Up

      My Heart And I

        I.

        ENOUGH ! we're tired, my heart and I.
        We sit beside the headstone thus,
        And wish that name were carved for us.
        The moss reprints more tenderly
        The hard types of the mason's knife,
        As heaven's sweet life renews earth's life
        With which we're tired, my heart and I.

        II.
        You see we're tired, my heart and I.
        We dealt with books, we trusted men,
        And in our own blood drenched the pen,
        As if such colours could not fly.
        We walked too straight for fortune's end,
        We loved too true to keep a friend ;
        At last we're tired, my heart and I.

        III.
        How tired we feel, my heart and I !
        We seem of no use in the world ;
        Our fancies hang grey and uncurled
        About men's eyes indifferently ;
        Our voice which thrilled you so, will let
        You sleep; our tears are only wet :
        What do we here, my heart and I ?

        IV.
        So tired, so tired, my heart and I !
        It was not thus in that old time
        When Ralph sat with me 'neath the lime
        To watch the sunset from the sky.
        `Dear love, you're looking tired,' he said;
        I, smiling at him, shook my head :
        'Tis now we're tired, my heart and I.

        V.
        So tired, so tired, my heart and I !
        Though now none takes me on his arm
        To fold me close and kiss me warm
        Till each quick breath end in a sigh
        Of happy languor. Now, alone,
        We lean upon this graveyard stone,
        Uncheered, unkissed, my heart and I.

        VI.
        Tired out we are, my heart and I.
        Suppose the world brought diadems
        To tempt us, crusted with loose gems
        Of powers and pleasures ? Let it try.
        We scarcely care to look at even
        A pretty child, or God's blue heaven,
        We feel so tired, my heart and I.

        VII.
        Yet who complains ? My heart and I ?
        In this abundant earth no doubt
        Is little room for things worn out :
        Disdain them, break them, throw them by
        And if before the days grew rough
        We once were loved, used, -- well enough,
        I think, we've fared, my heart and I.

      Up

      On A Portrait Of Wordsworth

        WORDSWORTH upon Helvellyn ! Let the cloud
        Ebb audibly along the mountain-wind,
        Then break against the rock, and show behind
        The lowland valleys floating up to crowd
        The sense with beauty. He with forehead bowed
        And humble-lidded eyes, as one inclined
        Before the sovran thought of his own mind,
        And very meek with inspirations proud,
        Takes here his rightful place as poet-priest
        By the high altar, singing prayer and prayer

        To the higher Heavens. A noble vision free
        Our Haydon's hand has flung out from the mist:
        No portrait this, with Academic air !
        This is the poet and his poetry.

      Up

      Only a Curl

        I.
        FRIENDS of faces unknown and a land
        Unvisited over the sea,
        Who tell me how lonely you stand
        With a single gold curl in the hand
        Held up to be looked at by me, --


        II.
        While you ask me to ponder and say
        What a father and mother can do,
        With the bright fellow-locks put away
        Out of reach, beyond kiss, in the clay
        Where the violets press nearer than you.


        III.
        Shall I speak like a poet, or run
        Into weak woman's tears for relief ?
        Oh, children ! -- I never lost one, --
        Yet my arm 's round my own little son,
        And Love knows the secret of Grief.


        IV.
        And I feel what it must be and is,
        When God draws a new angel so
        Through the house of a man up to His,
        With a murmur of music, you miss,
        And a rapture of light, you forgo.


        V.
        How you think, staring on at the door,
        Where the face of your angel flashed in,
        That its brightness, familiar before,
        Burns off from you ever the more
        For the dark of your sorrow and sin.


        VI.
        `God lent him and takes him,' you sigh ;
        -- Nay, there let me break with your pain :
        God 's generous in giving, say I, --
        And the thing which He gives, I deny
        That He ever can take back again.


        VII.
        He gives what He gives. I appeal
        To all who bear babes -- in the hour
        When the veil of the body we feel
        Rent round us, -- while torments reveal
        The motherhood's advent in power,


        VIII.
        And the babe cries ! -- has each of us known
        By apocalypse (God being there
        Full in nature) the child is our own,
        Life of life, love of love, moan of moan,
        Through all changes, all times, everywhere.


        IX.
        He 's ours and for ever. Believe,
        O father ! -- O mother, look back
        To the first love's assurance. To give
        Means with God not to tempt or deceive
        With a cup thrust in Benjamin's sack.


        X.
        He gives what He gives. Be content !
        He resumes nothing given, -- be sure !
        God lend ? Where the usurers lent
        In His temple, indignant He went
        And scourged away all those impure.


        XI.
        He lends not ; but gives to the end,
        As He loves to the end. If it seem
        That He draws back a gift, comprehend
        'Tis to add to it rather, -- amend,
        And finish it up to your dream, --


        XII.
        Or keep, -- as a mother will toys
        Too costly, though given by herself,
        Till the room shall be stiller from noise,
        And the children more fit for such joys,
        Kept over their heads on the shelf.


        XIII.
        So look up, friends ! you, who indeed
        Have possessed in your house a sweet piece
        Of the Heaven which men strive for, must need
        Be more earnest than others are,--speed
        Where they loiter, persist where they cease.


        XIV.
        You know how one angel smiles there.
        Then weep not. 'Tis easy for you
        To be drawn by a single gold hair
        Of that curl, from earth's storm and despair,
        To the safe place above us. Adieu.

      Up

      Pain In Pleasure

        A THOUGHT ay like a flower upon mine heart,
        And drew around it other thoughts like bees
        For multitude and thirst of sweetnesses;
        Whereat rejoicing, I desired the art
        Of the Greek whistler, who to wharf and mart
        Could lure those insect swarms from orange-trees
        That I might hive with me such thoughts and please
        My soul so, always. foolish counterpart
        Of a weak man's vain wishes ! While I spoke,
        The thought I called a flower grew nettle-rough
        The thoughts, called bees, stung me to festering:
        Oh, entertain (cried Reason as she woke)
        Your best and gladdest thoughts but long enough,
        And they will all prove sad enough to sting !

      Up

      Past And Future

        MY future will not copy fair my past
        On any leaf but Heaven's. Be fully done
        Supernal Will ! I would not fain be one
        Who, satisfying thirst and breaking fast,
        Upon the fulness of the heart at last
        Says no grace after meat. My wine has run
        Indeed out of my cup, and there is none
        To gather up the bread of my repast
        Scattered and trampled; yet I find some good
        In earth's green herbs, and streams that bubble up
        Clear from the darkling ground,--content until
        I sit with angels before better food: --
        Dear Christ ! when thy new vintage fills my cup,
        This hand shall shake no more, nor that wine spill

      Up

      Patience Taught By Nature

        'O DREARY life,' we cry, ' O dreary life ! '
        And still the generations of the birds
        Sing through our sighing, and the flocks and herds
        Serenely live while we are keeping strife
        With Heaven's true purpose in us, as a knife
        Against which we may struggle ! Ocean girds
        Unslackened the dry land, savannah-swards
        Unweary sweep, hills watch unworn, and rife
        Meek leaves drop year]y from the forest-trees
        To show, above, the unwasted stars that pass
        In their old glory: O thou God of old,
        Grant me some smaller grace than comes to these !--
        But so much patience as a blade of grass
        Grows by, contented through the heat and cold.

      Up

      Tears

        THANK God, bless God, all ye who suffer not
        More grief than ye can weep for. That is well--
        That is light grieving ! lighter, none befell
        Since Adam forfeited the primal lot.
        Tears ! what are tears ? The babe weeps in its cot,
        The mother singing, at her marriage-bell
        The bride weeps, and before the oracle
        Of high-faned hills the poet has forgot
        Such moisture on his cheeks. Thank God for grace,
        Ye who weep only ! If, as some have done,
        Ye grope tear-blinded in a desert place

        And touch but tombs,--look up I those tears will run
        Soon in long rivers down the lifted face,
        And leave the vision clear for stars and sun

      Up

      The Autumn

        Go, sit upon the lofty hill,
        And turn your eyes around,
        Where waving woods and waters wild
        Do hymn an autumn sound.
        The summer sun is faint on them --
        The summer flowers depart --
        Sit still -- as all transform'd to stone,
        Except your musing heart.

        How there you sat in summer-time,
        May yet be in your mind;
        And how you heard the green woods sing
        Beneath the freshening wind.
        Though the same wind now blows around,
        You would its blast recall;
        For every breath that stirs the trees,
        Doth cause a leaf to fall.

        Oh! like that wind, is all the mirth
        That flesh and dust impart:
        We cannot bear its visitings,
        When change is on the heart.
        Gay words and jests may make us smile,
        When Sorrow is asleep;
        But other things must make us smile,
        When Sorrow bids us weep!

        The dearest hands that clasp our hands, --
        Their presence may be o'er;
        The dearest voice that meets our ear,
        That tone may come no more!
        Youth fades; and then, the joys of youth,
        Which once refresh'd our mind,
        Shall come -- as, on those sighing woods,
        The chilling autumn wind.

        Hear not the wind -- view not the woods;
        Look out o'er vale and hill-
        In spring, the sky encircled them --
        The sky is round them still.
        Come autumn's scathe -- come winter's cold --
        Come change -- and human fate!
        Whatever prospect Heaven doth bound,
        Can ne'er be desolate.

      Up

      The Best Thing In The World

        What's the best thing in the world?
        June-rose, by May-dew impearled;
        Sweet south-wind, that means no rain;
        Truth, not cruel to a friend;
        Pleasure, not in haste to end;
        Beauty, not self-decked and curled
        Till its pride is over-plain;
        Light, that never makes you wink;
        Memory, that gives no pain;
        Love, when, so, you're loved again.
        What's the best thing in the world?
        —Something out of it, I think.

      Up

      The Cry Of The Children

        Do ye hear the children weeping, O my brothers,
        Ere the sorrow comes with years?
        They are leaning their young heads against their mothers,
        And that cannot stop their tears.
        The young lambs are bleating in the meadows,
        The young birds are chirping in the nest,
        The young fawns are playing with the shadows,
        The young flowers are blowing toward the west—
        But the young, young children, O my brothers,
        They are weeping bitterly!
        They are weeping in the playtime of the others,
        In the country of the free.

        Do you question the young children in their sorrow,
        Why their tears are falling so?
        The old man may weep for his tomorrow,
        Which is lost in Long Ago;
        The old tree is leafless in the forest,
        The old year is ending in the frost,
        The old wound, if stricken, is the sorest,
        The old hope is hardest to be lost:
        But the young, young children, O my brothers,
        Do you ask them why they stand
        Weeping sore before the bosoms of their mothers,
        In our happy Fatherland?

        They look up with their pale and sunken faces,
        And their looks are sad to see,
        For the man's hoary anguish draws and presses
        Down the cheeks of infancy;
        "Your old earth," they say, "is very dreary;
        Our young feet," they say, "are very weak!
        Few paces have we taken, yet are weary—
        Our grave-rest is very far to seek.
        Ask the aged why they weep, and not the children,
        For the outside earth is cold,
        And we young ones stand without, in our bewildering,
        And the graves are for the old."

        "True," say the children, "it may happen
        That we die before our time.
        Little Alice died last year—her grave is shapen
        Like a snowball, in the rime.
        We looked into the pit prepared to take her:
        Was no room for any work in the close clay!
        From the sleep wherein she lieth none will wake her,
        Crying 'Get up, little Alice! it is day.'
        If you listen by that grave, in sun and shower,
        With your ear down, little Alice never cries;
        Could we see her face, be sure we should not know her,
        For the smile has time for growing in her eyes:
        And merry go her moments, lulled and stilled in
        The shroud by the kirk-chime.
        It is good when it happens," say the children,
        "That we die before our time."

        Alas, alas, the children! They are seeking
        Death in life, as best to have;
        They are binding up their hearts away from breaking,
        With a cerement from the grave.
        Go out, children, from the mine and from the city,
        Sing out, children, as the little thrushes do;
        Pluck your handfuls of the meadow-cowslips pretty,
        Laugh aloud, to feel your fingers let them through!
        But they answer, "Are your cowslips of the meadows
        Like our weeds anear the mine?
        Leave us quiet in the dark of the coal-shadows,
        From your pleasures fair and fine!

        "For oh," say the children, "we are weary,
        And we cannot run or leap;
        If we cared for any meadows, it were merely
        To drop down in them and sleep.
        Our knees tremble sorely in the stooping,
        We fall upon our faces, trying to go;
        And, underneath our heavy eyelids drooping,
        The reddest flower would look as pale as snow.
        For, all day, we drag our burden tiring
        Through the coal-dark, underground;
        Or, all day, we drive the wheels of iron
        In the factories, round and round.

        "For all day the wheels are droning, turning;
        Their wind comes in our faces,—
        Till our hearts turn, our heads with pulses burning,
        And the walls turn in their places:
        Turns the sky in the high window blank and reeling,
        Turns the long light that drops adown the wall,
        Turn the black flies that crawl along the ceiling,—
        All are turning, all the day, and we with all.
        And all day, the iron wheels are droning,
        And sometimes we could pray,
        'O ye wheels,' (breaking out in a mad moaning)
        'Stop! be silent for today!' "

        Ay, be silent! Let them hear each other breathing
        For a moment, mouth to mouth!
        Let them touch each other's hands, in a fresh wreathing
        Of their tender human youth!
        Let them feel that this cold metallic motion
        Is not all the life God fashions or reveals:
        Let them prove their living souls against the notion
        That they live in you, or under you, O wheels!
        Still, all day, the iron wheels go onward,
        Grinding life down from its mark;
        And the children's souls, which God is calling sunward,
        Spin on blindly in the dark.

        Now tell the poor young children, O my brothers,
        To look up to Him and pray;
        So the blessed One, who blesseth all the others,
        Will bless them another day.
        They answer, "Who is God that He should hear us,
        While the rushing of the iron wheels is stirred?
        When we sob aloud, the human creatures near us
        Pass by, hearing not, or answer not a word.
        And we hear not (for the wheels in their resounding)
        Strangers speaking at the door:
        Is it likely God, with angels singing round Him,
        Hears our weeping any more?

        "Two words, indeed, of praying we remember,
        And at midnight's hour of harm,
        'Our Father,' looking upward in the chamber,
        We say softly for a charm.
        We know no other words except 'Our Father,'
        And we think that, in some pause of angels' song,
        God may pluck them with the silence sweet to gather,
        And hold both within His right hand which is strong.
        'Our Father!' If He heard us, He would surely
        (For they call Him good and mild)
        Answer, smiling down the steep world very purely,
        'Come and rest with me, my child.'

        "But, no!" say the children, weeping faster,
        "He is speechless as a stone:
        And they tell us, of His image is the master
        Who commands us to work on.
        Go to!" say the children,—"up in heaven,
        Dark, wheel-like, turning clouds are all we find.
        Do not mock us; grief has made us unbelieving—
        We look up for God, but tears have made us blind."
        Do you hear the children weeping and disproving,
        O my brothers, what ye preach?
        For God's possible is taught by His world's loving,
        And the children doubt of each.

        And well may the children weep before you!
        They are weary ere they run;
        They have never seen the sunshine, nor the glory
        Which is brighter than the sun.
        They know the grief of man, without its wisdom;
        They sink in man's despair, without its calm,—
        Are slaves, without the liberty in Christdom,—
        Are martyrs, by the pang without the palm,—
        Are worn as if with age, yet unretrievingly
        The harvest of its memories cannot reap,—
        Are orphans of the earthly love and heavenly.
        Let them weep! let them weep!

        They look up with their pale and sunken faces,
        And their look is dread to see,
        For they mind you of their angels in high places,
        With eyes turned on Deity;—
        "How long," they say, "how long, O cruel nation,
        Will you stand, to move the world, on a child's heart,—
        Stifle down with a mailed heel its palpitation,
        And tread onward to your throne amid the mart?
        Our blood splashes upward, O gold-heaper,
        And its purple shows your path!
        But the child's sob in the silence curses deeper
        Than the strong man in his wrath."

      Up

      The Deserted Garden

        I mind me in the days departed,
        How often underneath the sun
        With childish bounds I used to run
        To a garden long deserted.

        The beds and walks were vanished quite;
        And wheresoe'er had struck the spade,
        The greenest grasses Nature laid
        To sanctify her right.

        I called the place my wilderness,
        For no one entered there but I;
        The sheep looked in, the grass to espy,
        And passed it ne'ertheless.

        The trees were interwoven wild,
        And spread their boughs enough about
        To keep both sheep and shepherd out,
        But not a happy child.

        Adventurous joy it was for me!
        I crept beneath the boughs, and found
        A circle smooth of mossy ground
        Beneath a poplar tree.

        Old garden rose-trees hedged it in,
        Bedropt with roses waxen-white
        Well satisfied with dew and light
        And careless to be seen.

        Long years ago it might befall,
        When all the garden flowers were trim,
        The grave old gardener prided him
        On these the most of all.

        Some lady, stately overmuch,
        Here moving with a silken noise,
        Has blushed beside them at the voice
        That likened her to such.

        And these, to make a diadem,
        She often may have plucked and twined,
        Half-smiling as it came to mind
        That few would look at them.

        Oh, little thought that lady proud,
        A child would watch her fair white rose,
        When buried lay her whiter brows,
        And silk was changed for shroud!

        Nor thought that gardener, (full of scorns
        For men unlearned and simple phrase,)
        A child would bring it all its praise
        By creeping through the thorns!

        To me upon my low moss seat,
        Though never a dream the roses sent
        Of science or love's compliment,
        I ween they smelt as sweet.

        It did not move my grief to see
        The trace of human step departed:
        Because the garden was deserted,
        The blither place for me!

        Friends, blame me not! a narrow ken
        Has childhood 'twixt the sun and sward;
        We draw the moral afterward,
        We feel the gladness then.

        And gladdest hours for me did glide
        In silence at the rose-tree wall:
        A thrush made gladness musical
        Upon the other side.

        Nor he nor I did e'er incline
        To peck or pluck the blossoms white;
        How should I know but roses might
        Lead lives as glad as mine?

        To make my hermit-home complete,
        I brought dear water from the spring
        Praised in its own low murmuring,
        And cresses glossy wet.

        And so, I thought, my likeness grew
        (Without the melancholy tale)
        To "Gentle Hermit of the Dale,"
        And Angelina too.

        For oft I read within my nook
        Such minstrel stories; till the breeze
        Made sounds poetic in the trees,
        And then I shut the book.

        If I shut this wherein I write
        I hear no more the wind athwart
        Those trees, nor feel that childish heart
        Delighting in delight.

        My childhood from my life is parted,
        My footstep from the moss which drew
        Its fairy circle round: anew
        The garden is deserted.

        Another thrush may there rehearse
        The madrigals which sweetest are;
        No more for me! myself afar
        Do sing a sadder verse.

        Ah me, ah me! when erst I lay
        In that child's-nest so greenly wrought,
        I laughed unto myself and thought
        "The time will pass away."

        And still I laughed, and did not fear
        But that, whene'er was past away
        The childish time, some happier play
        My womanhood would cheer.

        I knew the time would pass away,
        And yet, beside the rose-tree wall,
        Dear God, how seldom, if at all,
        Did I look up to pray!

        The time is past; and now that grows
        The cypress high among the trees,
        And I behold white sepulchres
        As well as the white rose, --

        When graver, meeker thoughts are given,
        And I have learnt to lift my face,
        Reminded how earth's greenest place
        The color draws from heaven, --

        It something saith for earthly pain,
        But more for Heavenly promise free,
        That I who was, would shrink to be
        That happy child again.

      Up

      The House Of Clouds

        I would build a cloudy House
        For my thoughts to live in;
        When for earth too fancy-loose
        And too low for Heaven!
        Hush! I talk my dream aloud---
        I build it bright to see,---
        I build it on the moonlit cloud,
        To which I looked with thee.

        Cloud-walls of the morning's grey,
        Faced with amber column,---
        Crowned with crimson cupola
        From a sunset solemn!
        May mists, for the casements, fetch,
        Pale and glimmering;
        With a sunbeam hid in each,
        And a smell of spring.

        Build the entrance high and proud,
        Darkening and then brightening,---
        If a riven thunder-cloud,
        Veined by the lightning.
        Use one with an iris-stain,
        For the door within;
        Turning to a sound like rain,
        As I enter in.

        Build a spacious hall thereby:
        Boldly, never fearing.
        Use the blue place of the sky,
        Which the wind is clearing;
        Branched with corridors sublime,
        Flecked with winding stairs---
        Such as children wish to climb,
        Following their own prayers.

        In the mutest of the house,
        I will have my chamber:
        Silence at the door shall use
        Evening's light of amber,
        Solemnising every mood,
        Softemng in degree,---
        Turning sadness into good,
        As I turn the key.

        Be my chamber tapestried
        With the showers of summer,
        Close, but soundless,---glorified
        When the sunbeams come here;
        Wandering harpers, harping on
        Waters stringed for such,---
        Drawing colours, for a tune,
        With a vibrant touch.

        Bring a shadow green and still
        From the chestnut forest,
        Bring a purple from the hill,
        When the heat is sorest;
        Spread them out from wall to wall,
        Carpet-wove around,---
        Whereupon the foot shall fall
        In light instead of sound.

        Bring the fantasque cloudlets home
        From the noontide zenith
        Ranged, for sculptures, round the room,---
        Named as Fancy weeneth:
        Some be Junos, without eyes;
        Naiads, without sources
        Some be birds of paradise,---
        Some, Olympian horses.

        Bring the dews the birds shake off,
        Waking in the hedges,---
        Those too, perfumed for a proof,
        From the lilies' edges:
        From our England's field and moor,
        Bring them calm and white in;
        Whence to form a mirror pure,
        For Love's self-delighting.

        Bring a grey cloud from the east,
        Where the lark is singing;
        Something of the song at least,
        Unlost in the bringing:
        That shall be a morning chair,
        Poet-dream may sit in,
        When it leans out on the air,
        Unrhymed and unwritten.

        Bring the red cloud from the sun
        While he sinketh, catch it.
        That shall be a couch,---with one
        Sidelong star to watch it,---
        Fit for poet's finest Thought,
        At the curfew-sounding,--- ;
        Things unseen being nearer brought
        Than the seen, around him.

        Poet's thought,----not poet's sigh!
        'Las, they come together!
        Cloudy walls divide and fly,
        As in April weather!
        Cupola and column proud,
        Structure bright to see---
        Gone---except that moonlit cloud,
        To which I looked with thee!

        Let them! Wipe such visionings
        From the Fancy's cartel---
        Love secures some fairer things
        Dowered with his immortal.
        The sun may darken,---heaven be bowed---
        But still, unchanged shall be,---
        Here in my soul,---that moonlit cloud,
        To which I looked with THEE!

      Up

      The Lady's Yes

        "Yes," I answered you last night;
        "No," this morning, Sir, I say.
        Colours seen by candlelight,
        Will not look the same by day.

        When the viols played their best,
        Lamps above, and laughs below---
        Love me sounded like a jest,
        Fit for Yes or fit for No.

        Call me false, or call me free---
        Vow, whatever light may shine,
        No man on your face shall see
        Any grief for change on mine.

        Yet the sin is on us both---
        Time to dance is not to woo---
        Wooer light makes fickle troth---
        Scorn of me recoils on you.

        Learn to win a lady's faith
        Nobly, as the thing is high;
        Bravely, as for life and death---
        With a loyal gravity.

        Lead her from the festive boards,
        Point her to the starry skies,
        Guard her, by your truthful words,
        Pure from courtship's flatteries.

        By your truth she shall be true---
        Ever true, as wives of yore---
        And her Yes, once said to you,
        SHALL be Yes for evermore.

      Up

      The Landing Of The Pilgrim Fathers

        The breaking waves dashed high
        On a stern and rock-bound coast,
        And the woods, against a stormy sky,
        Their giant branches tost;

        And the heavy night hung dark
        The hills and water o'er,
        When a band of exiles moored their bark
        On the wild New England shore.

        Not as the conqueror comes,
        They, the true-hearted, came;
        Not with the roll of the stirring drums,
        And the trumpet that sings of fame;

        Not as the flying come,
        In silence and in fear,—
        They shook the depths of the desert's gloom
        With their hymns of lofty cheer.

        Amidst the storm they sang,
        And the stars heard and the sea;
        And the sounding aisles of the dim woods rang
        To the anthem of the free.

        The ocean-eagle soared
        From his nest by the white wave's foam,
        And the rocking pines of the forest roared—
        This was their welcome home!

        There were men with hoary hair
        Amidst that pilgrim band:
        Why had they come to wither there,
        Away from their childhood's land?

        There was woman's fearless eye,
        Lit by her deep love's truth;
        There was manhood's brow serenely high,
        And the fiery heart of youth.

        What sought they thus afar?
        Bright jewels of the mine?
        The wealth of the seas? the spoils of war?—
        They sought a faith's pure shrine!

        Ay, call it holy ground,
        The soil where first they trod!
        They have left unstained what there they found—
        Freedom to worship God!

      Up

      The Look

        The Saviour looked on Peter. Ay, no word,
        No gesture of reproach; the Heavens serene
        Though heavy with armed justice, did not lean
        Their thunders that way: the forsaken Lord
        Looked only, on the traitor. None record
        What that look was, none guess; for those who have seen
        Wronged lovers loving through a death-pang keen,
        Or pale-cheeked martyrs smiling to a sword,
        Have missed Jehovah at the judgment-call.
        And Peter, from the height of blasphemy--
        'I never knew this man '--did quail and fall
        As knowing straight THAT GOD; and turned free
        And went out speechless from the face of all
        And filled the silenc, weeping bitterly.

      Up

      The Meaning Of The Look

        I think that look of Christ might seem to say--
        'Thou Peter ! art thou then a common stone
        Which I at last must break my heart upon
        For all God's charge to his high angels may
        Guard my foot better ? Did I yesterday
        Wash thy feet, my beloved, that they should run
        Quick to deny me 'neath the morning sun ?
        And do thy kisses, like the rest, betray ?
        The cock crows coldly.--GO, and manifest
        A late contrition, but no bootless fear !
        For when thy final need is dreariest,
        Thou shalt not be denied, as I am here;
        My voice to God and angels shall attest,
        Because I KNOW this man, let him be clear.'

      Up

      The Poet And The Bird

        Said a people to a poet---" Go out from among us straightway!
        While we are thinking earthly things, thou singest of divine.
        There's a little fair brown nightingale, who, sitting in the gateways
        Makes fitter music to our ears than any song of thine!"

        The poet went out weeping---the nightingale ceased chanting;
        "Now, wherefore, O thou nightingale, is all thy sweetness done?"
        I cannot sing my earthly things, the heavenly poet wanting,
        Whose highest harmony includes the lowest under sun."

        The poet went out weeping,---and died abroad, bereft there---
        The bird flew to his grave and died, amid a thousand wails:---
        And, when I last came by the place, I swear the music left there
        Was only of the poet's song, and not the nightingale's.

      Up

      The Prisoner

        I count the dismal time by months and years
        Since last I felt the green sward under foot,
        And the great breath of all things summer-
        Met mine upon my lips. Now earth appears
        As strange to me as dreams of distant spheres
        Or thoughts of Heaven we weep at. Nature's lute
        Sounds on, behind this door so closely shut,
        A strange wild music to the prisoner's ears,
        Dilated by the distance, till the brain
        Grows dim with fancies which it feels too
        While ever, with a visionary pain,
        Past the precluded senses, sweep and Rhine
        Streams, forests, glades, and many a golden train
        Of sunlit hills transfigured to Divine.

      Up

      The Runaway Slave At Pilgrim's Point

        I.
        I stand on the mark beside the shore
        Of the first white pilgrim's bended knee,
        Where exile turned to ancestor,
        And God was thanked for liberty.
        I have run through the night, my skin is as dark,
        I bend my knee down on this mark . . .
        I look on the sky and the sea.

        II.
        O pilgrim-souls, I speak to you!
        I see you come out proud and slow
        From the land of the spirits pale as dew. . .
        And round me and round me ye go!
        O pilgrims, I have gasped and run
        All night long from the whips of one
        Who in your names works sin and woe.

        III.
        And thus I thought that I would come
        And kneel here where I knelt before,
        And feel your souls around me hum
        In undertone to the ocean's roar;
        And lift my black face, my black hand,
        Here, in your names, to curse this land
        Ye blessed in freedom's evermore.

        IV.
        I am black, I am black;
        And yet God made me, they say.
        But if He did so, smiling back
        He must have cast His work away
        Under the feet of His white creatures,
        With a look of scorn,--that the dusky features
        Might be trodden again to clay.

        V.
        And yet He has made dark things
        To be glad and merry as light.
        There's a little dark bird sits and sings;
        There's a dark stream ripples out of sight;
        And the dark frogs chant in the safe morass,
        And the sweetest stars are made to pass
        O'er the face of the darkest night.

        VI.
        But we who are dark, we are dark!
        Ah, God, we have no stars!
        About our souls in care and cark
        Our blackness shuts like prison bars:
        The poor souls crouch so far behind,
        That never a comfort can they find
        By reaching through the prison-bars.

        VII.
        Indeed, we live beneath the sky, . . .
        That great smooth Hand of God, stretched out
        On all His children fatherly,
        To bless them from the fear and doubt,
        Which would be, if, from this low place,
        All opened straight up to His face
        Into the grand eternity.

        VIII.
        And still God's sunshine and His frost,
        They make us hot, they make us cold,
        As if we were not black and lost:
        And the beasts and birds, in wood and fold,
        Do fear and take us for very men!
        Could the weep-poor-will or the cat of the glen
        Look into my eyes and be bold?

        IX.
        I am black, I am black!--
        But, once, I laughed in girlish glee;
        For one of my colour stood in the track
        Where the drivers drove, and looked at me--
        And tender and full was the look he gave:
        Could a slave look so at another slave?--
        I look at the sky and the sea.

        X.
        And from that hour our spirits grew
        As free as if unsold, unbought:
        Oh, strong enough, since we were two
        To conquer the world, we thought!
        The drivers drove us day by day;
        We did not mind, we went one way,
        And no better a liberty sought.

        XI.
        In the sunny ground between the canes,
        He said "I love you" as he passed:
        When the shingle-roof rang sharp with the rains,
        I heard how he vowed it fast:
        While others shook, he smiled in the hut
        As he carved me a bowl of the cocoa-nut,
        Through the roar of the hurricanes.

        XII.
        I sang his name instead of a song;
        Over and over I sang his name--
        Upward and downward I drew it along
        My various notes; the same, the same!
        I sang it low, that the slave-girls near
        Might never guess from aught they could hear,
        It was only a name.

        XIII.
        I look on the sky and the sea--
        We were two to love, and two to pray,--
        Yes, two, O God, who cried to Thee,
        Though nothing didst Thou say.
        Coldly Thou sat'st behind the sun!
        And now I cry who am but one,
        How wilt Thou speak to-day?--

        XIV.
        We were black, we were black!
        We had no claim to love and bliss:
        What marvel, if each turned to lack?
        They wrung my cold hands out of his,--
        They dragged him . . . where ? . . . I crawled to touch
        His blood's mark in the dust! . . . not much,
        Ye pilgrim-souls, . . . though plain as this!

        XV.
        Wrong, followed by a deeper wrong!
        Mere grief's too good for such as I.
        So the white men brought the shame ere long
        To strangle the sob of my agony.
        They would not leave me for my dull
        Wet eyes!--it was too merciful
        To let me weep pure tears and die.

        XVI.
        I am black, I am black!--
        I wore a child upon my breast
        An amulet that hung too slack,
        And, in my unrest, could not rest:
        Thus we went moaning, child and mother,
        One to another, one to another,
        Until all ended for the best:

        XVII.
        For hark ! I will tell you low . . . Iow . . .
        I am black, you see,--
        And the babe who lay on my bosom so,
        Was far too white . . . too white for me;
        As white as the ladies who scorned to pray
        Beside me at church but yesterday;
        Though my tears had washed a place for my knee.

        XVIII.
        My own, own child! I could not bear
        To look in his face, it was so white.
        I covered him up with a kerchief there;
        I covered his face in close and tight:
        And he moaned and struggled, as well might be,
        For the white child wanted his liberty--
        Ha, ha! he wanted his master right.

        XIX.
        He moaned and beat with his head and feet,
        His little feet that never grew--
        He struck them out, as it was meet,
        Against my heart to break it through.
        I might have sung and made him mild--
        But I dared not sing to the white-faced child
        The only song I knew.

        XX.
        I pulled the kerchief very close:
        He could not see the sun, I swear,
        More, then, alive, than now he does
        From between the roots of the mango . . . where
        . . . I know where. Close! a child and mother
        Do wrong to look at one another,
        When one is black and one is fair.

        XXI.
        Why, in that single glance I had
        Of my child's face, . . . I tell you all,
        I saw a look that made me mad . . .
        The master's look, that used to fall
        On my soul like his lash . . . or worse!
        And so, to save it from my curse,
        I twisted it round in my shawl.

        XXII.
        And he moaned and trembled from foot to head,
        He shivered from head to foot;
        Till, after a time, he lay instead
        Too suddenly still and mute.
        I felt, beside, a stiffening cold, . . .
        I dared to lift up just a fold . . .
        As in lifting a leaf of the mango-fruit.

        XXIII.
        But my fruit . . . ha, ha!--there, had been
        (I laugh to think on't at this hour! . . .)
        Your fine white angels, who have seen
        Nearest the secret of God's power, . . .
        And plucked my fruit to make them wine,
        And sucked the soul of that child of mine,
        As the humming-bird sucks the soul of the flower.

        XXIV.
        Ha, ha, for the trick of the angels white!
        They freed the white child's spirit so.
        I said not a word, but, day and night,
        I carried the body to and fro;
        And it lay on my heart like a stone . . . as chill.
        --The sun may shine out as much as he will:
        I am cold, though it happened a month ago.

        XXV.
        From the white man's house, and the black man's hut,
        I carried the little body on,
        The forest's arms did round us shut,
        And silence through the trees did run:
        They asked no question as I went,--
        They stood too high for astonishment,--
        They could see God sit on His throne.

        XXVI.
        My little body, kerchiefed fast,
        I bore it on through the forest . . . on:
        And when I felt it was tired at last,
        I scooped a hole beneath the moon.
        Through the forest-tops the angels far,
        With a white sharp finger from every star,
        Did point and mock at what was done.

        XXVII.
        Yet when it was all done aright, . . .
        Earth, 'twixt me and my baby, strewed,
        All, changed to black earth, . . . nothing white, . . .
        A dark child in the dark,--ensued
        Some comfort, and my heart grew young:
        I sate down smiling there and sung
        The song I learnt in my maidenhood.

        XXVIII.
        And thus we two were reconciled,
        The white child and black mother, thus:
        For, as I sang it, soft and wild
        The same song, more melodious,
        Rose from the grave whereon I sate!
        It was the dead child singing that,
        To join the souls of both of us.

        XXIX.
        I look on the sea and the sky!
        Where the pilgrims' ships first anchored lay,
        The free sun rideth gloriously;
        But the pilgrim-ghosts have slid away
        Through the earliest streaks of the morn.
        My face is black, but it glares with a scorn
        Which they dare not meet by day.

        XXX.
        Ah!--in their 'stead, their hunter sons!
        Ah, ah! they are on me--they hunt in a ring--
        Keep off! I brave you all at once--
        I throw off your eyes like snakes that sting!
        You have killed the black eagle at nest, I think:
        Did you never stand still in your triumph, and shrink
        From the stroke of her wounded wing?

        XXXI.
        (Man, drop that stone you dared to lift!--)
        I wish you, who stand there five a-breast,
        Each, for his own wife's joy and gift,
        A little corpse as safely at rest
        As mine in the mangos!--Yes, but she
        May keep live babies on her knee,
        And sing the song she liketh best.

        XXXll.
        I am not mad: I am black.
        I see you staring in my face--
        I know you, staring, shrinking back--
        Ye are born of the Washington-race:
        And this land is the free America:
        And this mark on my wrist . . . (I prove what I say)
        Ropes tied me up here to the flogging-place.

        XXXIII.
        You think I shrieked then? Not a sound!
        I hung, as a gourd hangs in the sun.
        I only cursed them all around,
        As softly as I might have done
        My very own child!--From these sands
        Up to the mountains, lift your hands,
        O slaves, and end what I begun!

        XXXIV.
        Whips, curses; these must answer those!
        For in this UNION, you have set
        Two kinds of men in adverse rows,
        Each loathing each: and all forget
        The seven wounds in Christ's body fair;
        While HE sees gaping everywhere
        Our countless wounds that pay no debt.

        XXXV.
        Our wounds are different. Your white men
        Are, after all, not gods indeed,
        Nor able to make Christs again
        Do good with bleeding. We who bleed . . .
        (Stand off!) we help not in our loss!
        We are too heavy for our cross,
        And fall and crush you and your seed.

        XXXVI.
        I fall, I swoon! I look at the sky:
        The clouds are breaking on my brain;
        I am floated along, as if I should die
        Of liberty's exquisite pain--
        In the name of the white child, waiting for me
        In the death-dark where we may kiss and agree,
        White men, I leave you all curse-free
        In my broken heart's disdain!

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      The Seraph and the Poet

        THE seraph sings before the manifest
        God-One, and in the burning of the Seven,
        And with the full life of consummate
        Heaving beneath him like a mother's
        Warm with her first-born's slumber in that
        The poet sings upon the earth grave-riven,
        Before the naughty world, soon self-forgiven
        For wronging him,--and in the darkness prest
        From his own soul by worldly weights.
        Even so,
        Sing, seraph with the glory ! heaven is high;
        Sing, poet with the sorrow ! earth is low:
        The universe's inward voices cry
        ' Amen ' to either song of joy and woe:
        Sing, seraph,--poet,--sing on equally !

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      The Soul's Expression

        With stammering lips and insufficient sound
        I strive and struggle to deliver right
        That music of my nature, day and night
        With dream and thought and feeling interwound
        And inly answering all the senses round
        With octaves of a mystic depth and height
        Which step out grandly to the infinite
        From the dark edges of the sensual ground.
        This song of soul I struggle to outbear
        Through portals of the sense, sublime and whole,
        And utter all myself into the air:
        But if I did it,--as the thunder-roll
        Breaks its own cloud, my flesh would perish there,
        Before that dread apocalypse of soul.

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      The Weakest Thing

        Which is the weakest thing of all
        Mine heart can ponder?
        The sun, a little cloud can pall
        With darkness yonder?
        The cloud, a little wind can move
        Where'er it listeth?
        The wind, a little leaf above,
        Though sere, resisteth?

        What time that yellow leaf was green,
        My days were gladder;
        But now, whatever Spring may mean,
        I must grow sadder.
        Ah me! a leaf with sighs can wring
        My lips asunder—
        Then is mine heart the weakest thing
        Itself can ponder.

        Yet, Heart, when sun and cloud are pined
        And drop together,
        And at a blast, which is not wind,
        The forests wither,
        Thou, from the darkening deathly curse
        To glory breakest,—
        The Strongest of the universe
        Guarding the weakest!

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      To Flush, My Dog

        Yet, my pretty sportive friend,
        Little is't to such an end
        That I praise thy rareness!
        Other dogs may be thy peers
        Haply in these drooping ears,
        And this glossy fairness.

        But of thee it shall be said,
        This dog watched beside a bed
        Day and night unweary—
        Watched within a curtained room,
        Where no sunbeam brake the gloom
        Round the sick and dreary.

        Roses, gathered for a vase,
        In that chamber died apace,
        Beam and breeze resigning.
        This dog only, waited on,
        Knowing that when light is gone
        Love remains for shining.

        Other dogs in thymy dew
        Tracked the hares, and followed through
        Sunny moor or meadow.
        This dog only, crept and crept
        Next a languid cheek that slept,
        Sharing in the shadow.

        Other dogs of loyal cheer
        Bounded at the whistle clear,
        Up the woodside hieing.
        This dog only, watched in reach
        Of a faintly uttered speech,
        Or a louder sighing.

        And if one or two quick tears
        Dropped upon his glossy ears,
        Or a sigh came double—
        Up he sprang in eager haste,
        Fawning, fondling, breathing fast,
        In a tender trouble.

        And this dog was satisfied
        If a pale thin hand would glide
        Down his dewlaps sloping—
        Which he pushed his nose within,
        After—platforming his chin
        On the palm left open.

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      To George Sand: A Desire

        THOU large-brained woman and large-hearted man,
        Self-called George Sand ! whose soul, amid the lions
        Of thy tumultuous senses, moans defiance
        And answers roar for roar, as spirits can:
        I would some mild miraculous thunder ran
        Above the applauded circus, in appliance
        Of thine own nobler nature's strength and science,
        Drawing two pinions, white as wings of swan,
        From thy strong shoulders, to amaze the place
        With holier light ! that thou to woman's claim
        And man's, mightst join beside the angel's grace
        Of a pure genius sanctified from blame
        Till child and maiden pressed to thine embrace
        To kiss upon thy lips a stainless fame.

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      To George Sand: A Recognition

        TRUE genius, but true woman ! dost deny
        The woman's nature with a manly scorn
        And break away the gauds and armlets worn
        By weaker women in captivity?
        Ah, vain denial ! that revolted cry
        Is sobbed in by a woman's voice forlorn, _
        Thy woman's hair, my sister, all unshorn
        Floats back dishevelled strength in agony
        Disproving thy man's name: and while before
        The world thou burnest in a poet-fire,
        We see thy woman-heart beat evermore
        Through the large flame. Beat purer, heart, and higher,
        Till God unsex thee on the heavenly shore
        Where unincarnate spirits purely aspire !

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      Unlike We Are, Unlike, oh Princely Heart

        Unlike are we, unlike, O princely Heart!
        Unlike our uses and our destinies.
        Our ministering two angels look surprise
        On one another, as they strike athwart
        Their wings in passing. Thou, bethink thee, art
        A guest for queens to social pageantries,
        With gages from a hundred brighter eyes
        Than tears even can make mine, to play thy part
        Of chief musician. What hast thou to do
        With looking from the latticelights at me,
        A poor, tired, wandering singer, singing through
        The dark, and leaning up a cypress tree?
        The chrism is on thine head,on mine, the dew
        And Death must dig the level where these agree.

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      Work And Contemplation

        The woman singeth at her spinning-wheel
        A pleasant chant, ballad or barcarole;
        She thinketh of her song, upon the whole,
        Far more than of her flax; and yet the reel
        Is full, and artfully her fingers feel
        With quick adjustment, provident control,
        The lines--too subtly twisted to unroll--
        Out to a perfect thread. I hence appeal
        To the dear Christian Church--that we may do
        Our Father's business in these temples mirk,
        Thus swift and steadfast, thus intent and strong;
        While thus, apart from toil, our souls pursue
        Some high calm spheric tune, and prove our work
        The better for the sweetness of our song.

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